Tag Archives: mind

Synchronicity (yes! again)

Super Synchronicity: Where Science and Spirit Meet by Gary E. Schwartz

synch2

 

 

As soon as this book came out, I knew I had to read it and I’m glad I did. I’ve written about synchronicities before and they are sometimes very active in my life, and at other times- not so much. But always, there is this curiosity. After years of shaking my head (wondering if I was crazy), all the time my close family members laughing and rolling with it far easier than I did, I’ve come to accept them. I value the experiences, I laugh with the Universe (and the Universe has a glorious sense of humor), and I miss those coincidences when they lapse (do they lapse, or am I not observant enough?).

Along comes Harvard educated scientist Gary E. Schwartz, author and professor at the University of Arizona and the Director of its Laboratory for Advances in Consciousness and Health to write a book on his personal experience with synchronicity and start to ask the tough scientific questions.

A huge proportion of the book is devoted to examples of what Schwartz calls supersynchronicities. So, while a rather mundane synchronicity involves the occurrence of two or more events happening close together that don’t seem to have a causal connection but are meaningful to the individual, these super events must be linked six or more times. Most of us have had instances of the lower order and some of us (if we’re observant and lucky?) might have experienced a supersynchronity. Schwartz has had many and has become a sort of expert at spotting them. Chapter upon chapter of delightful tales involving dogs, ravens, movies, bears, and emeralds have us explore the wonderful and wacky ways these synchronicities unfold. Many are captivating, a few pull at the heartstrings, all test our notion of reality and all cry out for an understanding of deeper meaning.

456px-Если_будем_искать_покоя,_то_он_будет_удаляться_от_нас

from: Moscow Art

While being immersed in this world, I realized I view synchronicities as personal experiences. So much so, that when people in my life report MY synchronicities showing up in THEIR lives, I get irritated and dismiss it. From a supersynchronicity point of view, these instances have to be counted and seen in the bigger perspective of our reality. This was my biggest lesson drawn from reading this book. The Universe is not just talking to me (well, maybe sometimes).

Schwarz spends a chapter on the scientific process of running synchronicities through a hierarchical list of explanations. Everything from self-deception to the collective consciousness is briefly examined. He uses a fascinating analogy of a jazz super orchestra to hint at how the universe might operate with billions of people. How would the universe create a meta-score uniting everyone and still allowing individual expression? How, indeed! How do these synchronicities point at our underlying interconnectedness? Again, what does it mean…?

shiva

photo: yumikrum

The book ends in an unsatisfying way for those looking for a better understanding of meaning. Perhaps, Schwartz’s next book will grapple with the new science (quantum synchronicity theory) he proposes. In the meantime, he encourages us to become active in becoming more aware of these instances in our own lives and start chronicling them. Remember to keep an open mind and enjoy the process.

 

 

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RATIONAL MYSTICISM by John Horgan

rational-mysticism

This is a book I thought long and hard about highlighting. I expected great things and was overall disappointed. Unfortunately John Horgan is a reductionist materialist and despite the access he had to various spokespeople on mysticism, he remains thoroughly unconvinced. He is a science writer who holds the dogmatic party line through the entirety of the book. That said, I think some valuable perspective can be gleaned from the people Horgan talks to. It’s worth the read to get an overall feel for the modern history of the topic and hear from some of the players.

Horgan begins with a definition of mysticism within the historical context. He interviews Huston Smith who discusses mysticism as a cross-cultural, cross-religious experience. Smith represents the notion of the perennial philosophy. The author’s search next takes him to a two day conference in Chicago where mysticism is treated as a literary phenomenon. These scholars know in great detail the texts left behind by Eckhart, St. Teresa of Avila, Shankara, etc. But sadly, none of them has any personal experience with anything remotely mystical. The journey continues with an interview of Ken Wilber dubbed ‘the weightlifting Bodhisattva’ by Horgan. Wilbur stands behind Smith adhering to the perennial philosophy but also embraces science as a way to explore and define mystical experience.

meditating

Photo: Thanabadhi

Important information is raised in the chapter called Can Neurotheology Save Us?. Horgan visits with Andrew Newberg, the doctor featured back in 2001 in Newsweek’s article, “God and the Brain: How We’re Wired for Spirituality.” Wouldn’t it be nice if brain scans could prove mystical states and help us to understand them? Unfortunately, a review of data collected on all sorts of meditation doesn’t support any nice clean conclusions according to Jensine Andreson, a theology professor at Boston University. And that in turn brings into question all the benefits touted for meditation. A review of the studies looking at meditation and its benefits Andreson believes, are poorly designed and won’t hold up to scrutiny. Of course, as it relates to mystical practice, mystics don’t meditate to lower their blood pressure but I would concede that a whole lot of Americans do increasingly view meditation as a health practice. Should they?

Continuing the scientific pursuit of mystical states, Horgan interviewed Michael Persinger of Laurentian University, Canada. Starting in the 1980s, Persinger began studying the brain’s response to electro-magnetic pulses to certain areas of the brain. 40% of Persinger’s test subjects experience a presence. The Canadian magazine Mclean’s called this device, “the God machine.” Persinger maintains that he has not addressed the God question with his work, rather his interest is in understanding the electrical pattern of the brain that leads to religious belief. But does the machine produce mystical experiences? No. Apparently, no one tested has reported the typical sensations of bliss, unity, or ineffability commonly reported by mystics. Scientific attempts to link temporal lobe excitation or epilepsy to mystical experience do not hold up either.

brain-scan

Horgan next turns to practitioner of Zen and neurologist, James Austin who penned the book, Zen and the Brain. Austin calls his approach perennial psychophysiology. Instead of gaining metaphysical insight, Austin thinks the mystic undergoes deep changes in personality. Someone who has had these experiences becomes more stable, more compassionate, and more selfless. As a specialist in brain disorders, Austin attempts to separate healthy mysticism from other illnesses. His approach relies on the idea that mystical experience releases excitotoxins which cause the loss of neurons. This in turn, allows us to get rid of those things that distort our view of reality. This is as scary as it is fascinating. For me, it makes mystical experience similar to brain damage. Can that really be?

No book on mysticism would be complete without a foray into drug induced mystical experience. Horgan looks at the history of LSD, DMT, and ayahuasca. He visits Stanislov Grof, who is involved in the transpersonal psychology movement. Grof believes that we must move into a new paradigm where mind has primacy over matter (the book was published in 2003, not a unique idea now). There’s an interesting discussion of Rick Strassman’s work as outlined in DMT: The Spirit Molecule. The colorful Terrence McKenna makes an appearance in a later chapter where he advocates the use of psychedelics.

chakra

Photo by: vishwagna.com

The book is a nice romp through lots of questions with little in the way of conclusions. I often had the feeling that the author was totally out of his depth. Why did this topic appeal to him? He remained a science writer who attempted to fill pages. Most of them are interesting. I wonder what the book would have looked like with another author or even what the book would look like if updated.

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National Book Lovers Day

Open new doorways and celebrate by reading!!! And don’t forget to enter my book contest by commenting on the post below.

doorway

Photo by Bjoertvedt

http://www.ibtimes.com/national-book-lovers-day-2016-quotes-21-sayings-about-reading-bibliophiles-2398724

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SNEAK PEEK

intothelandofsnowsmall

With Jupiter Gardens closing its doors, I’ve decided to re-release INTO THE LAND OF SNOWS. I’ve had an amazing time working with Anna Spies of EerilyFair (https://www.facebook.com/eerilyfairdesign/). She is a talented and imaginative cover designer and here’s a peek at the new cover design. Freakin’ awesome job!

As part of the process, I got to view photos of teenage male models and choose one for Blake. Somehow I accidentally sent some of those images to my son via Facebook. That provoked a few awkward questions!!

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HAVE WE LIVED BEFORE?

Reincarnation: Past Lives & the Akashic Record by Lois J. Wetzel

 Reincarnation

I downloaded this book recently following a lead from Dana Taylor (www.supernalliving.com). It is the second book by Lois J. Wetzel concerning case studies of past life readings she’s done. This book clarifies some of the issues raised in the first book and goes on to share healing aspects that clients have experienced as a result of the readings. Wetzel also says that she has had readers report being healed just by reading the book.

Wetzel begins the book with the belief that we are immortal, spiritual beings reincarnating to learn lessons for the soul’s evolution. Eventually we become Master Souls and move on to other levels of development in the spirit world.

fuschia

In order to help clients deal with issues or problems, she describes a process where she reads an individual’s Akashic records. This is a different process than doing a past life regression. Using a photograph of the client, Wetzel connects to the person and, while in trance, views past lives. The client does not have to be present or be hypnotized.

The book does not attempt to prove reincarnation (from a Buddhist perspective, the more correct term is rebirth. Only advanced masters reincarnate. The rest of us stumble back and take rebirth.). However, there is mention of some of the scientific work investigating reincarnation including that of Ian Stevenson, Jim Tucker, and Brian Weiss.

Readers will probably be as surprised as Wetzel was that she has seen past lives as dolphins and faeries.  She also talks about overlapping and parallel lives which may be difficult for some. In addition, she’s viewed lifetimes prior to recorded history and glimpsed civilizations we apparently have no record of.

fuschia2

The case study section of the book provides a transcript of a reading followed by comments from the client. There’s no doubt that the readings often resonate with the client and many things are confirmed. The power of the work lies in its ability to provide healing and consolation for the individuals seeking it.

Reincarnation: Past Lives & the Akashic Record is an engaging read and will leave readers wondering about their own lives and the ones they’ve lived previously. What is a hold-over from the past? What kind of healing can be had here and now? All good questions.

Amazon link: http://goo.gl/Sc806k

Author Website: http://hotpinklotus.com

Dana Taylor’s website: http://supernalliving.com

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THINGS THAT GO BUMP IN THE NIGHT

Sir Robert Ottley, Royalist

Sir Robert Ottley, Royalist

 Continuing with JH Brennan’s, Whisperings: The Secret History of the Spirit World, I wanted to mention the research conducted by Dr. A.R. G. Owen a few years after Bacheldor’s work. A Canadian research group led by Owen wondered if they could create a ghost.

Working a lot like fictional writers, the group created “Philip” and gave him a whole history. Philip had been a Cavalier officer during the English Civil War and had resided at Diddington Hall (a real place). The story of his life was a fabrication and went like this. Although Philip was married, he had an affair with a gypsy girl which had enraged his wife. The wife managed to have the girl denounced as a witch and burned. So distraught was Philip that he threw himself off the battlements of the hall committing suicide. Poor Philip!

Diddington Hall. Photo: John Evans

Diddington Hall. Photo: John Evans

The group held séances for a year trying to contact the Cavalier with no luck. I think it’s pretty amazing they’d keep at it that long with no result. One of the group eventually read Bacheldor’s work and wondered if a lighthearted atmosphere might make a difference. Giving it the old college try, they sang and told jokes, and oddly enough, after a few more séances, things started to happen. They heard their first rap and the table slid across the floor. Success at last! Encouraged, someone asked if Philip was doing it and was answered back with a loud rap. Having contacted the entity, the group used the one knock for yes and two for no method, to go on to communicate with Philip. Phillip affirmed the basic facts of his fictional life story and went on to reveal additional details the group had not created. The séances also produced various physical phenomena. The most spectacular was recorded for a television program. A table climbed a set of steps joining the panelists being interviewed.

Battle of Marston Moor, 1644

Battle of Marston Moor, 1644

I’ll leave you to ponder the significance of the Philip research. As a fiction author, I’m already concocting plots about how the other side conspires to have a good laugh at Owen and the other sitters.

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HEART-CENTERED CREATION

Interview with Kimberly Harding, PhD- artist, author, and teacher

moonpull

As the Moon

pulls the Wave,

God

pulls the Soul.

Welcome, Kim. Please tell us a little about yourself and your work.

I am currently a college professor at a small school in central Colorado. I teach in the science discipline- primarily anatomy and physiology, microbiology, and such. I am not one who always knew I wanted to be a teacher, but when I taught my first college lab, I was hooked. It was only after completing my PhD education and securing my first job that I “let out” my artistic side. I remember a New Year’s Eve in which I stayed home to paint and I realized how much everything had changed for me. I do not know what precipitated my sudden interest in art at that time, but it has been with me ever since.

Currently, you are combining teaching science and creating artwork. Does one support the other? Could you see yourself doing only one?

 I think most of my colleagues would be surprised to learn if I had to choose only one- it would be art. However, science and teaching provide a grounding force in my life, which I believe support my artistic side with a sense of security.

Of course, there are points in which the two interests converge. I have written and spoken about the power of the female body. Many of the details arise from my scientific training. When I speak on this topic, though, I always present my artistic images, and I believe those are what remain with the audience the most.

Likewise, when I did a book comprised of artistic images and poems of the heart, many of the ideas I played around with were based on my understanding of the heart from a physical perspective.

flyintodarkness-1

It is those who have been

hurt the most,

that understand the best.

 

And it will be those,

with the Soul’s awareness ground into bone,

that heal this world.

 

I read that you started creating art when you were thirty. What led you to begin expressing yourself in this way?

I truly do not know that answer. I have never taken an art class in my life and throughout my earlier years I had self-defined to the nth degree that I was a scientist and “very logical”. There is something about touching colors, though  ( I work with pastels and move the pigments around with fingers and hands) that speaks to my soul.

How important is creative expression to spiritual growth? Because so much of your work seems to center on the heart and compassion, I wonder how art can aid healing?

I do believe that art can facilitate healing. I recently wrote that “The artist sees before anyone else believes.” When we are in the creative state, our inner artist is able to reveal to us what is has “seen”, usually before we are even willing to be conscious of the experience.  My artistic process is very “in the moment”. I used to “receive” images in my mind while falling asleep and I would feel compelled to create them the next day. It was almost a compulsion.  Now, I begin with blank page and make a few random lines. I have to sit with the image and see what it wants to become slowly. In the process, there is such an inherent sense of my having to be honest with what is arising. When I try to manipulate, control, and project, the image veers off into something less than profound.

Were you a creative, artistic kid? Did you like art classes or did you gravitate to science very early?

I was not a creative child in any form. My parents are not very well-educated. I saw education as a “way out” and liked the security (and money- sciences tend to be very well-funded) that science education seemed to provide. Early in my life, I would not have risked becoming something as “crazy” and “unstable” as an artist.

appearingYour Spirit’s shape and form stand out in

stark relief against the

background of any circumstances.

What themes has your art allowed you to explore? How do you see your work developing? What impact would you like your paintings and poetry to have on the world?

That is the gift of art, isn’t it- it gives us the ability to explore. I have explored the power of a woman’s body, as well as the power and strength related to male-ness. I spent one summer in what I refer to as my “phallic phase” as images of penises abounded. I have also done entire series on hearts, birds, symbolic shapes, symbols of union and more.

I am constantly surprised how my work develops. I have to say, and I wonder if this is true for other artists- that I will sometimes want to define myself with limitations, -i.e., I want to be the “heart artist” or whatever idea I am currently playing with at that time. That type of self-definition does not seem to be part of my artistic pathway.

As for the impact of my art and poetry, I want it to be “gentle”. That may be a strange thing to say, but I feel so much in life, including spirituality, is layered and projected upon us. I want my art to simply be a gentle opening for others to realize their own understanding.

Thanks for sharing your work with us!

Kim has two books available which combine her paintings and poetry.

The Heart Within You-

http://www.amazon.com/Heart-Within-You-Learning-Yourself/dp/1495432351/ref=sr_1_2?s=books&ie=UTF8&qid=1428943038&sr=1-2&keywords=Kimberly+Harding

The Spirit Within You-

http://www.amazon.com/Spirit-within-You-Learning-Compassion/dp/1499318286/ref=sr_1_1?s=books&ie=UTF8&qid=1428943089&sr=1-1&keywords=Kimberly+Harding

Watch Kim’s fascinating lecture on Female Embodiment- A Woman’s Place (22 min) https://www.youtube.com/watch?v=BcKXaq1l1kk

For more information on Kim and her work, please visit her at the following site:

https://kimberlyharding.wordpress.com/

 

 

 

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ENTER TO WIN A FREE COPY OF MY BOOK

snow scene

TreeHouse Arts is running a contest through July 10th (Th.). Enter with a poem about snow. Winner’s poem will be published on their site. Good luck!

http://treehousearts.me/2014/07/05/part-iii-summer-reading-giveaway-and-haiku-contest/

Into the Land of Snows

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Part II: THINGS THAT GO BUMP IN THE NIGHT

Sir Robert Ottley, Royalist

Sir Robert Ottley, Royalist

 Continuing with JH Brennan’s, Whisperings: The Secret History of the Spirit World, I wanted to mention the research conducted by Dr. A.R. G. Owen a few years after Bacheldor’s work. A Canadian research group led by Owen wondered if they could create a ghost.

Working a lot like fictional writers, the group created “Philip” and gave him a whole history. Philip had been a Cavalier officer during the English Civil War and had resided at Diddington Hall (a real place). The story of his life was a fabrication and went like this. Although Philip was married, he had an affair with a gypsy girl which had enraged his wife. The wife managed to have the girl denounced as a witch and burned. So distraught was Philip that he threw himself off the battlements of the hall committing suicide. Poor Philip!

Diddington Hall. Photo: John Evans

Diddington Hall. Photo: John Evans

The group held séances for a year trying to contact the Cavalier with no luck. I think it’s pretty amazing they’d keep at it that long with no result. One of the group eventually read Bacheldor’s work and wondered if a lighthearted atmosphere might make a difference. Giving it the old college try, they sang and told jokes, and oddly enough, after a few more séances, things started to happen. They heard their first rap and the table slid across the floor. Success at last! Encouraged, someone asked if Philip was doing it and was answered back with a loud rap. Having contacted the entity, the group used the one knock for yes and two for no method, to go on to communicate with Philip. Phillip affirmed the basic facts of his fictional life story and went on to reveal additional details the group had not created. The séances also produced various physical phenomena. The most spectacular was recorded for a television program. A table climbed a set of steps joining the panelists being interviewed.

Battle of Marston Moor, 1644

Battle of Marston Moor, 1644

I’ll leave you to ponder the significance of the Philip research. As a fiction author, I’m already concocting plots about how the other side conspires to have a good laugh at Owen and the other sitters.

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THOSE THINGS THAT GO BUMP IN THE NIGHT

whisperers

JH Brennan’s, Whisperers: The Secret History of the Spirit World explores the powerful undercurrents flowing just beneath the surface of the history we’re taught in school. Whether or not you believe in ghosts, spirits, or faeries, is immaterial (pun intended). The fact that various phenomena have been occurring throughout pre-history right up until today is undeniable. Brennan doesn’t set out to prove the existence of ghosts as disembodied, earth-bound entities but rather he examines the effect they may have played on history.

It’s a fascinating book with lots of little surprises. I read the last two sections first and went back to the older histories later. While I love a good ghost story (and Brennan does share two personal experiences), it was some of the research into the phenomena that caught my attention.

ghost1

There have been many theories put forth to explain all manner of ghostly happenings, but none seem to fully explain everything. Indeed, although we tend to lump everything under the vast heading of the paranormal (or PSI), different phenomena may be different things entirely.

Brennan cites two studies which are fascinating. I’m going to outline the first one here and then take on the second in a follow-on piece.

In 1966, Kenneth Batcheldor (a UK psychologist) published findings in the Journal of the Society for Psychical Research concerning the levitation of tables. Recall from the Victorian era, the spiritualism craze which involved spirit contact and various physical manifestations including rappings, materializations, levitation, etc.

ghost2

In 1964, Batcheldor conducted a series of 200 séances with a small group of sitters. In 120 of the sessions, no phenomena were observed but in 80 of them (40%), physical phenomena was seen. While table movement early in the trials could possibly be dismissed by involuntary muscle movement, by the 11th session, Batcheldor watched as a table rose and floated in the air. At this point he couldn’t rule out fraudulent means so he worked with an engineer to tighten his experimental controls. Once the controls were in place, the phenomena stopped- but over time, the phenomena returned. This was a pattern Batcheldor saw over and over again. Introduced slowly, the sitters appeared to acclimate to the controls and the happenings would start anew. Astonishingly enough, Batcheldor observed not only table movement and levitation, but a whole range of spirit phenomena reported by Victorian spiritualists and witnesses. Amongst the phenomena observed were rapping sounds, breezes, lights, the feeling of being touched, movement of objects including the pulling back of chairs, apports, and holding the table to the floor so it couldn’t be lifted.

levitation

The experiments seem to indicate people have the ability, through unconscious means, to produce a variety of physical phenomena. While it doesn’t definitively rule out spirit action, it does point toward interesting avenues for further research. Batcheldor theorized that early movement of the table due to muscle contractions conditioned sitters to expect phenomena and opened them up to actually producing it. This is something later PSI researchers discovered when examining other kinds of phenomena in a lab setting. Belief makes a difference, and in Batcheldor’s case, seeing the phenomena may have led to its manifestation. So here we learn nothing really about spirits, but it does indicate how little we (or science) know about the mind.

The book on Amazon:http://www.amazon.com/Whisperers-Secret-History-Spirit-World-ebook/dp/B00EOARZGY/ref=sr_1_1?s=books&ie=UTF8&qid=1395336244&sr=1-1&keywords=whisperers+the+secret+history+of+the+spirit+world

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