Tag Archives: Asia

WHAT IF YOU DON’T HAVE TO DIE TO FIND OUT?

    THE TIBETAN BOOK OF THE DEAD

Tibetan Book of the Dead

In 1927 American anthropologist, Walter Evans-Wentz published a bestseller he called The Tibetan Book of the Dead taking his lead from the Edwardian fascination with all things Egyptian. Only five years earlier Howard Carter had discovered King Tut’s tomb. Evans- Wentz’s book or subsequent translations can be found in most bookstores and the original has never gone out of print. During the rebellious Hippie days, the book was re-interpreted by Timothy Leary at Harvard to guide and justify the use of LSD. How can an eighth century Buddhist text still capture our imagination? Simple really. It might just hold the key to what happens after death.

Lama Kazi Dawa Samdup & Walter Evans-Wentz, circa 1919

Lama Kazi Dawa Samdup & Walter Evans-Wentz, circa 1919

Not that this book will ever really be mainstream. How could it be in a society perpetually captivated by youth and the denial of death? Americans do not talk about death. It is taboo. People die in hospitals and nursing homes, and we like it that way. As a society, we are all about acquiring stuff and death has its upside. Maybe we’ll inherit something. That’s probably about as deep as it goes. We muddle through funerals and try very hard to get back to normal. It is the odd fellow who contemplates his own death. So if you are a typical American, this is where you go look for something ego-comforting and fluffy elsewhere on the web.

Ah, but what if you’re not typical. Come closer because we are about to examine the origin of a mysterious text and answer some questions about what happens to you when you die.

PADMASAMBHAVA, wall painting in Bhutan, Baldiri, 2007

PADMASAMBHAVA, wall painting in Bhutan, Baldiri, 2007

Sometime in the eighth century the famous Indian saint, Padmasambhava entered Tibet. Today he is known for converting the indigenous demonic spirits of Tibet to Buddhism, doing healings, and producing miracles. He also wrote a funerary text which he called Liberation Through Hearing During the Intermediate State. Some scholars have called it the first how-to book, but today we  know it as The Tibetan Book of the Dead. Upon reflection, Padmasambhava felt he couldn’t release the book to a population of newly created Buddhists. He hid the book keeping it safe for future generations. Six hundred years later, treasure revealer (terton), Karma Lingpa had a vision and was able to recover the manuscript.

The book is a guide for what happens to your consciousness as it passes from this life to the next. Reading it before death allows for preparation and familiarization with the process.

For, at this singular opportunity, you could

attain the everlasting bliss (of nirvana).

     So now is (certainly) not the time to sit idly,

     But, starting with (the reflection on) death, you

should bring your practice to completion.

In Tibet, the text is read for the dead by monks during a forty-nine day transition period. After encountering the light (similar to what NDE survivors report), the deceased is faced with three bardo states. Each phase offers the opportunity for liberation (enlightenment). Rare individuals who have been well-prepared avoid subsequent phases having mastered the understanding of consciousness, avoid rebirth, and become enlightened. Others pass through the bardo stages where various peaceful and terrifying beings appear arriving at the third which concerns itself with rebirth. A person’s karma then directs rebirth into one of six realms. The human realm (although not the most comfortable) is considered to be the best because it offers the possibility of eventual enlightenment. The deceased has the ability to choose his parents and the best situation for the next incarnation.

Zhi Khro Bardo Thodol: Mandala associated with The Tibetan Book of the Dead

Zhi Khro Bardo Thodol: Mandala associated with The Tibetan Book of the Dead

The value of The Tibetan Book of the Dead does not lie in its vivid descriptions of the entities the deceased meets along the way because those can be viewed as cultural constructions. Interestingly enough though, it might explain why Christians meet Jesus or Muslims meet Mohammed as reported in near-death accounts. The bardos are constructions of the mind, self-generated, and culturally dependent. You can only create what you are familiar with and what scares you the most. So the value of this profound and lyrical text is an overall familiarization with the process of death as a transition of consciousness. From the Tibetan standpoint, death doesn’t have to be a scary unknown. It is knowable and everyone can prepare for it. What would it be like to live a life not fearing death? How would our world change?

Watch a History Channel Documentary on The Tibetan Book of the Dead:

                              http://www.youtube.com/watch?v=Ermcc6iDqQA

FOR MORE:

The Tibetan Book of the Dead

Pilgrims of the Clear Light- Biography of Walter Evans-Wentz by Ken Winkler

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Filed under Book Review, Buddhism

INTERVIEW WITH NAOMI C. ROSE, AUTHOR OF:

WHERE SNOW LEOPARD PROWLS

Tibetan Wildlife Cover.2.indd

This is my first author interview and it seems fitting to welcome Naomi as my first guest. We met several years ago when I was first working on Into the Land of Snows. Naomi was a children’s author/illustrator who had already published a book on Tibetan culture and I sought her out for guidance. She graciously supplied it. I am happy to welcome her here to talk about her fourth picture book entitled Where Snow Leopard Prowls.

Thanks, I’m very honored to be your first interviewed author!!

NaomiRose

Naomi, your first three picture books dealt with Tibetan culture and Where Snow Leopard Prowls marks a change for you. This book is all about wildlife on the Tibetan plateau. Can you talk about how your vision shifted and you were drawn to paint these images?

I’ve had the joy of creating books for children for many years. Two of my previously published books are wisdom tales from Tibet. Several years ago, while painting the illustrations for these books, I found myself painting more and more Tibetan wildlife into the scenes. And as I painted, I felt more and more endeared to these animals. When I finally painted a snow leopard, I knew the animals were calling me. It was time to create a book for and about them. 

I’ve always thought of picture books as a child’s first introduction to art. The time and care that goes into the production of a picture book is amazing. How long was it from the time you decided to write and illustrate this book until you held it in your hands? What was the process like?

I think it was about five years from conception to birth. I really try to give each book the time it needs, to let the inspiration, the art, the book itself lead the way. When I first felt the call to do a book on Tibetan wildlife, I envisioned an activity book. But when I had completed that, I realized there was something more wanting to emerge. So I switched gears and created a full 32-page picture book. Then I posted the activity book as a free companion book off my website.

Baby Leopard

The paintings also evolved in an interesting way. I painted Snow Leopard’s portrait first. To my surprise, I felt very compelled to paint Snow Leopard’s eyes before any other feature. This was NOT how I was taught to paint portraits, but I couldn’t resist the urge. Once the eyes were painted, it felt like Snow Leopard was watching me paint, and guiding me on various details of its portrait. This turned out to be the case with each portrait, culminating in a deeper connection with each animal. 

Some of the animals in the book readers may be familiar with but there are some that were new for me. I’d never heard of a Himalayan Tahr, for example. Was there an animal you researched that was totally new to you? I know the book is full of animal facts and I wonder if there is anything in your research that surprised or even shocked you.

Many of the animals were new to me. Himalayan Tahr is a good example. I don’t remember what drew me to this particular animal, but somehow Tahr popped out at me as I studied the animals and the land of Tibet. Once Tahr showed up on my radar, I had to paint it and give it a place in the book. That’s sort of how it went. I think the animals found me as much as I found them. I had great fun learning about them and finding fun tidbits to put in the book. They’re all so amazing!  These animals became so personal to me that I had to treat them as individuals, thus referring to them by name (“Snow Leopard” instead of “a snow leopard”).

You’ve talked about the importance of having children connect with wildlife. It is in that connection and caring that we may be able to do a better job protecting whole environments. Can you outline a few of the factors that threaten some of the species in your book?

That’s a really interesting question because I ended up choosing to not study those factors.  When I first worked on the book, I focused on how these amazing animals were at risk of extinction as a way to motivate children to care for Mother Earth. Then I realized that approach wasn’t right for me.  I wanted to motivate from the same place that motivated me to do the book, a growing personal connection. I believe that’s another way to motivate; by fostering a love, respect, and connection with wildlife and nature, children will naturally grow to care about Mother Earth and her precious animals. In hopes the book has motivated children to care, I’ve listed things we can do to help in the back of the book. I’ve also listed activities for cultivating a personal connection to the natural world. 

Baby Monkey

My favorite illustrations were the baby snow leopard and the red panda. What animal or animals were the most fun for you to paint and why?

I loved painting them all, of course. But I had a special fondness for the baby animals. They are all soooo cute!  And painting Mama Snow Leopard was especially powerful.  I invite folks to see more of the animals in the short video on my website:  http://www.naomicrose.com/books/wslp-books

Thanks, Naomi for sharing your wonderful book with us. Please visit Naomi’s sites to see more of her beautiful work.

Website link(s):  http://www.naomicrose.com

Facebook:  www.facebook.com/naomicrose

Youtube: www.youtube.com/user/naomicrose

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Filed under Book Review, Books