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LYDIA INTERVIEWS ELLIS-

Hey, gang! I’m Lydia. In Ellis’ book, Timeless Tulips, Dark Diamonds- A Ghost Story, I was the fourteen-year-old moving to Upstate New York dealing with the ghost of a Dutch girl from the 17th century. At the time, I thought ghosts weren’t real, but first-hand experience has a way of shattering your reality. Today I have the chance to grill the writer— I mean ask a few behind the scenes questions. Some I have an inkling about, others I’m just as clueless as the reader is.      

I’m like totally over this, but how was it that Annika became your favorite?

Yeah, about that. You were always intended to be the main character but by the end of the story, it was obvious Annika had taken over. Partly, it was the history of the period that was so captivating and interesting. 17th century Holland and what Annika’s family goes through during the boom and bust of the tulip market grips us. That’s not to say what you experience is to be trivialized. Lydia- your world changes alongside Annika’s. You both make moves and go through things neither of you expect.

That’s for sure! And now that I know Annika’s whole story, I get why she acted the way she did. It was just so scary and aggravating at the time. But, like I said- I’m over Annika being more of the focus of the book.

Speaking of our connection, how am I like you? What makes us different?

You deal with the same mother/daughter issues but with a maturity I didn’t have. We both are “book” people and have a love for animals. Both of us struggle to find our place in the world. Don’t we all?

What was the toughest scene in the book to write?

You know this one.

Yeah, but I gotta ask.

Tell them.

The incident when Mom had to call the ambulance.

Why?

Because it really happened that way.

Right. That scene was written from experience. It was just before Christmas and I was starring at the Christmas tree. The lights started to behave strangely. I witnessed a bizarre and beautiful phenomenon, I later learned was called “aura”. Events intensified where I lost my ability to speak and access language. My brain shut down. Some people call this a stroke in slow motion. Very scary. In fact, it was and is the scariest thing to ever happen to me. And these incidents continued for twelve years. Imagine, experiencing unpredictable, stroke-like symptoms for a dozen years… That’s why this scene was so hard to write and re-read.

Would you say this is your most personal book?

Absolutely. We’ve already talked about the migraine connection but there are other elements as well. In the dedication, I mention being a toddler and talking about a ghost I would see at night. This book also explores mother/daughter issues I myself experienced. Lydia is far more perceptive and processes these topics with insight I didn’t possess at her age. In many ways, the book was cathartic in allowing me to explore themes of illness, emerging spirituality, healing, and personal power.    

e-book

Can I have a sequel?

No way! Sorry, my dear, your story has been told.

Is Annika getting a sequel?

This is starting to sound like whining. I’ve already given you credit for being mature. Now, what impression are readers going to be left with?

Oops. I just want you to know that I’m available should another plotline jump into that writer head of yours.

Got it.

Anyway, thanks for hanging out today! Timeless Tulips, Dark Diamonds is out in print and e-book. Follow the links below.

Print: https://amzn.to/2WnlqZX

E- book: https://amzn.to/2l7LhHP

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THE STAR FAMILY by Theresa Crater

CoverFinalMD-TheStarFamily-1 

 An Interview with Theresa Crater

Theresa and I are both members of the Visionary Fiction Alliance and that’s where I became aware of her work. A short blurb introducing her novel, called The Star Family, convinced me I had to read her book. Who could resist this?

A secret spiritual group. A recurring dream. A 400-year-old ritual that must be completed before it is too late. Jane Frey inherits a Gothic mansion filled with unexpected treasures. A prophecy claims it hides an important artifact – the key to an energy grid laid down by the Founding Fathers themselves. Whoever controls this grid controls the very centers of world power. Except Jane has no idea what they’re looking for.

I couldn’t resist. Immediately, I was drawn into the mystery. Jane Frey was raised in the Moravian tradition, one of the oldest Protestant denominations dating back to the 15th Century. But she knows precious little about their history or esoteric beliefs. I welcomed the opportunity to learn about this group right along with Jane. We also encountered Masons, sacred geometry, Tantric sex, and an exploration of Prague (medieval headquarters to all things alchemical). Yum! Theresa’s novel is original and fast moving. Join me as I delight in talking with her about her novel.

Welcome Theresa! Thanks for spending some time today talking about your book.

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Can you talk a little about what inspired you to write this book? I know you have Moravian roots.

I was at the International New Age Trade Show with my partner Stephen Mehler, who was going to be videoed about his new book, and I saw a book called William Blake’s Sexual Path to Spiritual Vision. I love Blake and who wouldn’t pick up a title like that? On the first page it said that Blake’s mother had been a Moravian. On top of that, it said that she was a member during the 1740s when the group was teaching metaphysics and sacred sexuality. They were connected to the Rosicrucians. The Templars had a metal forge in the very alleyway they were located in. All my metaphysical sensor alarms went off. I was stunned. I was raised Moravian and had never heard of such a thing. I could just imagine my grandfather’s reaction! Why was I never told about all this? I had to research it further.

In what ways are you like your main character, Jane Frey? How are you different?

 Jane and I were both raised Moravians in Winston-Salem, NC. I used my family tree to fill out names in the book, plus famous Moravians. She’s named after my grandmother and great grandmother. We both studied music, but ended up doing different things. We were both somewhat disillusioned older women. (I was warned not to have an older protagonist, but women in their 50s and 60s buy tons of books. We deserve a face in a book.) Jane and I both have a spiritual bent.

But Jane is good at math and went into finance. I became a meditation teacher, then ran out of money and got an advanced degree in literature. I now teach English at the college level and meditation occasionally. Jane fell in love with her high school sweetheart, a romance cliché I indulged in for the novel. She also moved back home. I still live in Colorado.

There are elements of the story that involve the idea of fate. How do you view fate operating (or not operating) in our lives?

I believe we come into each life with a purpose. We’re here to learn something, do something, and most importantly, embody full consciousness—as much as we can. The universe is alive and interacts with us constantly to give us feedback and help us stay on course. That is fate, messages sent to us from Universal Mind through the world around us and inside us, too—that small, quiet voice of our intuition. But if we get off course or don’t accomplish our mission, the universe doesn’t hold it against us. God, if you will, doesn’t judge. God is besotted with us and all of creation. Since we are not really separated from Universal Mind, there is really no problem. That’s hard to remember when we experience the difficulties of this world, but this is a spiritual training ground, like the Temperance card in Tarot.

John Hus

John Hus

I found the Moravian belief system fascinating. Could you briefly outline how their ideas differed from other Protestant groups?

 The Moravians were the first Protestant group, one hundred years before Luther. We came from John Hus (1369-1415), a Catholic priest who criticized the corruption in the church of his day. He was against selling indulgences, denying the laity the ability to drink from the chalice during communion, among other things. He preached in Czech, not Latin, in Prague. After his martyrdom, a movement continued his teachings and that grew into the Moravian Church.

Comenius was a bishop of the church, and he went to college with Johann Valentin Andreae, who wrote the Rosicrucian manifestos of 1616. You can see I used Andreae’s name in the book. My master mystic is Valentin. So the Moravian Church was deeply connected to that metaphysical revival. This group tried to get the Holy Roman Emperor out of Prague and replace him with a Rosicrucian leader. This was the Frederick V from what is now Germany who married the King of England’s daughter, Elizabeth. They were going to found an ideal society, but he is called the Winter King because the Thirty Years War began immediately and he was overthrown.

Comenius also advocated for universal education—boys and girls. He didn’t think memorization was a good way to learn and thought play was important. No harsh punishments of children.

These days, Moravians are ordinary Protestants for the most part. In the 1740s, Count Zinzendorf’s teachings had a much more metaphysical bent. What I found most fascinating was his teaching that the body has been redeemed, that there is no sexual shame, and that sex was not only for procreation, but could be used as a meditation almost. These sound so ordinary today, but I think we still suffer from body shame. Zinzendorf was a visionary. I realized that I could have had a thorough metaphysical education without leaving home if the church hadn’t repressed these teachings.

One thing that I really love is our motto: “In essentials unity. In nonessentials liberty. In all things love.” We don’t believe in forcing our beliefs on people, but in dialogue. That’s why the Moravians were the most successful missionaries, not that I really approve of missionaries. We were also pacifists up until the twentieth century.

All the history in The Star Family is based on fact. I have speculated, but from solid information. All of what happens in this novel is within the realm of possibilities. Except perhaps the ending, but even that—who can say?

Herrnhut

Herrnhut

What was the most fascinating part of the research you must have undertaken to produce the book? Did you travel to any of the locales Jane visits in the book?

The whole thing captured my heart and mind. I discovered that a Moravian minister had written his dissertation about this time period and Zinzendorf’s teachings. He has inspired others to research it and write about it. I was so nervous writing to a minister of our church. My memories of it were the 1950s when things were quite straight-laced. Earlier, my grandfather would pinch my father if he moved around too much in church. To discover we were so cool and ahead of our times really flipped my switch, so to speak.

Then Stephen and I traveled to Prague to view the Moravian roots, and then on to Herrnhut, Germany, where the church was reestablishing on Count Zinzendorf’s estate after the Thirty Years War scattered everyone to the four winds. To go to a place I’d heard about all my life, to walk through their God’s Acre, which is the graveyard, and see names I recognized from my family tree, was marvelous.

The idea of vibration, especially in the form of music, plays a crucial role in Jane’s story. To write those scenes, I imagined you had to have some musical training and a love for music. Is that the case?

The Moravians are quite musical, so I grew up with brass bands and the choir, plus lots of singing in church. Our hymns are unusual with lots of harmonies that I think create a vibratory field that creates peace and raises consciousness. The first time I transcended was listening to Bach. I sang in the children’s and adult choir. Every Easter Sunday, the brass band played at the street corner to wake up the Moravians to come to the Easter Sunrise Service. Brass bands play at many occasions. I was a music major for one semester, but theory was my downfall, so I switched majors. But I did go to college with a person who became a prominent sound healer.

Everything is vibration. Correct and purify the vibratory frequency, and you have harmony and healing. Sound is a good way to meditation. In my meditation training, the mantra was a sound, not a word with meaning. We followed the sound until it disappeared into the Transcendent.

As a writer of visionary fiction, what do you hope readers gain through your work?

 A deeper understanding of spirituality and spiritual teachings. I hope that they see their own experience reflected on the page and they’ll go, “Yes, I know that. I’ve felt that. So it’s real.”

Moravian stars

Moravian stars

What’s you next project?

I’m working on two books right now. One continues the Power Places series and returns to Egypt. I based it on an event that happened a couple of years ago. Some people were digging for artifacts under their house that borders the Giza Plateau and their house collapsed on them. My main character is called to investigate, and of course gets into all kinds of trouble. The first book in the series was also set in Egypt—Under the Stone Paw. Anne Le Clair inherits a crystal that turns out to be one of six keys to the Hall of Records. In the second book, the same aunt has left her a house in Glastonbury that backs up to the Tor—a doorway to faeryland no less. This book is also set in Atlantis—the two story lines intertwine.

I’m also finishing a book I started long ago. This one is women’s fiction exploring three characters who face the challenges of being female and mixed-race in the South from the 1890s to the 1970s. The daughter gets exorcised because she can see spirits.

Thanks for asking me to join you. It’s been a pleasure.

Visit her at http://theresacrater.wordpress.com

Twitter:  @theresacrater

Facebook:  Author page   https://www.facebook.com/tlcwrites

Good Reads:  http://www.goodreads.com/user/show/2709251-theresa-crater

Linked In:  http://www.linkedin.com/profile/view?id=36835613&trk=hb_tab_pro_top

 

 

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INTERVIEW WITH NAOMI C. ROSE, AUTHOR OF:

WHERE SNOW LEOPARD PROWLS

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This is my first author interview and it seems fitting to welcome Naomi as my first guest. We met several years ago when I was first working on Into the Land of Snows. Naomi was a children’s author/illustrator who had already published a book on Tibetan culture and I sought her out for guidance. She graciously supplied it. I am happy to welcome her here to talk about her fourth picture book entitled Where Snow Leopard Prowls.

Thanks, I’m very honored to be your first interviewed author!!

NaomiRose

Naomi, your first three picture books dealt with Tibetan culture and Where Snow Leopard Prowls marks a change for you. This book is all about wildlife on the Tibetan plateau. Can you talk about how your vision shifted and you were drawn to paint these images?

I’ve had the joy of creating books for children for many years. Two of my previously published books are wisdom tales from Tibet. Several years ago, while painting the illustrations for these books, I found myself painting more and more Tibetan wildlife into the scenes. And as I painted, I felt more and more endeared to these animals. When I finally painted a snow leopard, I knew the animals were calling me. It was time to create a book for and about them. 

I’ve always thought of picture books as a child’s first introduction to art. The time and care that goes into the production of a picture book is amazing. How long was it from the time you decided to write and illustrate this book until you held it in your hands? What was the process like?

I think it was about five years from conception to birth. I really try to give each book the time it needs, to let the inspiration, the art, the book itself lead the way. When I first felt the call to do a book on Tibetan wildlife, I envisioned an activity book. But when I had completed that, I realized there was something more wanting to emerge. So I switched gears and created a full 32-page picture book. Then I posted the activity book as a free companion book off my website.

Baby Leopard

The paintings also evolved in an interesting way. I painted Snow Leopard’s portrait first. To my surprise, I felt very compelled to paint Snow Leopard’s eyes before any other feature. This was NOT how I was taught to paint portraits, but I couldn’t resist the urge. Once the eyes were painted, it felt like Snow Leopard was watching me paint, and guiding me on various details of its portrait. This turned out to be the case with each portrait, culminating in a deeper connection with each animal. 

Some of the animals in the book readers may be familiar with but there are some that were new for me. I’d never heard of a Himalayan Tahr, for example. Was there an animal you researched that was totally new to you? I know the book is full of animal facts and I wonder if there is anything in your research that surprised or even shocked you.

Many of the animals were new to me. Himalayan Tahr is a good example. I don’t remember what drew me to this particular animal, but somehow Tahr popped out at me as I studied the animals and the land of Tibet. Once Tahr showed up on my radar, I had to paint it and give it a place in the book. That’s sort of how it went. I think the animals found me as much as I found them. I had great fun learning about them and finding fun tidbits to put in the book. They’re all so amazing!  These animals became so personal to me that I had to treat them as individuals, thus referring to them by name (“Snow Leopard” instead of “a snow leopard”).

You’ve talked about the importance of having children connect with wildlife. It is in that connection and caring that we may be able to do a better job protecting whole environments. Can you outline a few of the factors that threaten some of the species in your book?

That’s a really interesting question because I ended up choosing to not study those factors.  When I first worked on the book, I focused on how these amazing animals were at risk of extinction as a way to motivate children to care for Mother Earth. Then I realized that approach wasn’t right for me.  I wanted to motivate from the same place that motivated me to do the book, a growing personal connection. I believe that’s another way to motivate; by fostering a love, respect, and connection with wildlife and nature, children will naturally grow to care about Mother Earth and her precious animals. In hopes the book has motivated children to care, I’ve listed things we can do to help in the back of the book. I’ve also listed activities for cultivating a personal connection to the natural world. 

Baby Monkey

My favorite illustrations were the baby snow leopard and the red panda. What animal or animals were the most fun for you to paint and why?

I loved painting them all, of course. But I had a special fondness for the baby animals. They are all soooo cute!  And painting Mama Snow Leopard was especially powerful.  I invite folks to see more of the animals in the short video on my website:  http://www.naomicrose.com/books/wslp-books

Thanks, Naomi for sharing your wonderful book with us. Please visit Naomi’s sites to see more of her beautiful work.

Website link(s):  http://www.naomicrose.com

Facebook:  www.facebook.com/naomicrose

Youtube: www.youtube.com/user/naomicrose

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