Open new doorways and celebrate by reading!!! And don’t forget to enter my book contest by commenting on the post below.
After Jupiter Gardens Press went belly up, I struggled with whether or not to do the self-publishing thing. Turns out, it was easier than I expected. I am excited to announce the launch of my first self-published book! I worked with the fabulous Anna Spies at EerilyFair to create a cover I truly love. Thanks, Anna! Now it’s time to share the love. I will be giving away 4 signed paperback copies of Into the Land of Snows using a random drawing (US residents only, since I have to mail them). The contest will run from today until noon Aug. 11 (next Thursday). Enter by leaving me a comment about something fun you did this summer.
About the book: Visionary Fiction
Sixteen year old Blake travels to Base Camp on Mt. Everest to spend time with his physician father. When a deadly avalanche occurs, Dad is forced to rethink things and sends Blake away. Now accompanied by a Sherpa guide, and in possession of a mysterious camera, Blake undertakes a journey that will challenge everything he believes. In the magical Himalayas, he will be forever changed by what he experiences.
Available on Amazon: https://goo.gl/6HUnDX
ebook ($4.99): https://goo.gl/mbHZsr
WHAT READERS ARE SAYING:
“Well-written with engaging and believable characters, this story has it all: adventure, mystery, magic, and wisdom.” Naomi C. Rose
“Into the Land of Snows is a eminently readable YA novel that moves quickly and adeptly through many mystical twists and turns. A very fast and enjoyable read! I recommend it highly to YA audiences, but to adults as well.” Rea Nolan
“Into the Land of Snows takes the reader into a world so different, so beautifully challenging in its vision of life that the reader is drawn-in completely. So strong is the vision presented in this book it may even change the being within you.” Karin DeMer
A Woman’s Space: The Power of the Female Body by Kimberly Harding, PhD
I had the pleasure of interviewing Kimberly Harding, PhD, a while ago. Then she joined us to talk about her art and poetry. Now she’s back to discuss a new project. Kim has used her talents to explore the power of the female body in her new book. In a beautifully illustrated, gentle book, Kim guides the reader on a journey of discovery examining our perceptions and beliefs about our bodies.
I know as a teacher of anatomy at the college level, you have pointed out that language used to describe the female body often involves a sense of lack. Can you give us some examples? Was this realization the starting point of your thinking about creating this book for women?
You are correct. I think one of the reasons I wrote the book is that I am so disturbed by the mixed messages women receive in regards to their body. As I write in the book, we want the miracle of childbirth, but not the “messy” uterine lining each month that makes this possible. Or, we do not mind seeing breasts displayed in advertisements, but some are bothered by breast feeding in public areas. What do all of these messages mean for a woman and her sense of self and her sense of power in the world? For in my mind, a woman’s body is a source of innate power and if she is disconnected from her body, she is disconnected from her power in life.
My thoughts on this are definitely tied to my career as an anatomy and physiology college professor. A book by Emily Martin showed me that even textbooks are not immune to the mixed messages given about women’s bodies. Martin did a study comparing the terminology used in the standard reproduction chapter common to most college anatomy and physiology texts. Terms used in the section on male reproduction included “sheer magnitude, amazing, abundant” (as I have said elsewhere, you almost want to build a monument to it ), while terminology associated with female reproduction included “degeneration, lack, leaking, deteriorate”.
Students see the textbook as the “gold standard” of information, so the use of this terminology is particularly disturbing.
Why is a women’s body seen as threatening or untrustworthy? Is this a cultural perception we can change and if so, how?
I think it is the power contained within a woman that causes some to perceive women as threatening. I realize women, normally, have a smaller physical stature, but this does not in any way detract from the innate power in women to create, produce, destroy, manifest, and maintain the world. Women not only manifest the world, but we sustain it as well.
As for being “untrustworthy”, I feel for centuries, women and their bodies have been viewed with a sense of distrust. Often, this likely resulted from women’s projected place in society and culture as the “Other”- something foreign and unknowable. For ages, women were not even included in clinical medical trials as their menstrual cycle apparently made them “too confusing” to serve as subjects.
I think the change of this perception does not happen on the cultural level first, but rather within each and every woman. Within our power, we, as women, have the ability to heal ourselves. When we heal ourselves, we have the ability to heal the world.
In my mind, I believe if you heal a woman, you heal the world. When a woman heals herself, she heals the generations to come.
In this age of information, do women have adequate knowledge of their physical bodies?
I think this depends on the woman. Those of us who are blessed enough to have access to items such as books, the internet, and supportive medical care, likely have adequate knowledge of our physical bodies. Many women in the world do not have these resources.
I will also say, though, and this is the point of my book, knowledge of the physical body is not enough. We must learn about and embrace the power contained within the body’s tissues. It is one thing to speak to a young woman about the mechanics of her menstrual cycle. How much more powerful does it become, though, when we speak about what the menstrual lining represents- “the potential of the world”? What would it do for a young woman to understand she literally forms the potential of the world within her being every month?
That is the type of message I feel is lacking.
How does a modern woman reclaim her body and her power?
It is the work of each woman to do so. Women can not kid themselves about this important work. There is no other way for a woman to come in to her true power except through understanding the power of her own Being. Certainly, we can assist one another on this journey and we should do so, individually and collectively.
At the end of the day, though, it comes down to each woman confronting what she has been told about her self and what she believes in her self. When one woman raises her self up, she sets the path for all others.
Is there a need for rituals or rites of passage to help women claim their power? I’m wondering about the roles of maiden, mother, crone (borrowing from pagan tradition).
Oh certainly! Rituals and rites of passage can provide a physicality to the internal psychical changes a woman undergoes. These can serve as a source of grounding and a reference point that enable a woman, alone, or within the collective to mark her awakening.
How do the images and text of your book work together to help women explore and reclaim their bodies?
For me, and this is difficult to say from an unbiased perspective as the artist, the images complete the text. I find myself, when I read the book, that the words are engaging, but then I will look at the image and the message is understood on a completely different level.
I purposely put images and text on each page, as for myself, the image, more so than the words, is the trigger to return to the idea. I see the image and immediately associate it with the concept.
I really hope others resonate in a similar manner.
Thank you so much for this opportunity.
Thanks for sharing your thoughts and work concerning this important topic! For more about Kim’s work, please visit her website and check out her books on Amazon.
Amazon link: https://goo.gl/TVmsaI
Watch Kim’s fascinating lecture on Female Embodiment- A Woman’s Place (22 min) https://goo.gl/nPLMC2
With Jupiter Gardens closing its doors, I’ve decided to re-release INTO THE LAND OF SNOWS. I’ve had an amazing time working with Anna Spies of EerilyFair (https://www.facebook.com/eerilyfairdesign/). She is a talented and imaginative cover designer and here’s a peek at the new cover design. Freakin’ awesome job!
As part of the process, I got to view photos of teenage male models and choose one for Blake. Somehow I accidentally sent some of those images to my son via Facebook. That provoked a few awkward questions!!
The Search for Omm Sety by Jonathan Cott
“After all, it is no more surprising to be born twice than it is to be born once.” Voltaire
I’m not sure how I found this book. It was mentioned in some reading I was doing and luckily although it was first published in 1987, I was able to get a copy. This is a reincarnation story with a big twist. The New York Times once referred to Omm Sety as “one of the Western World’s most intriguing and convincing modern case histories of reincarnation.” And it is.
Dorothy Louise Eady (1904-1981) at age three fell down a flight of stairs at home and was pronounced dead by a doctor. The doctor left to make arrangements for the body and upon returning had quite a shock finding Dorothy sitting up, awake in bed. Over the next few years, the child started talking about wanting to go home. She was kicked out of Sunday school for comparing Christianity to an ancient religion and fared no better in regular school. Eventually, a priest visited and told her parents to keep her away from Catholic services. It was on a trip to the British Museum’s Egyptian rooms that things fell into place for Dorothy. There she saw a photograph and exclaimed, “There is my home!” She seemed to recognize the temple of Seti I. After that, she made frequent trips to visit the Egyptian collection eventually meeting E.A. Wallis. He taught her to read hieroglyphs.
From an early age Dorothy Eady was consumed by the desire to learn all things Egyptian. At 15, she described a nighttime visit by Seti I (in mummy form). She had vivid dreams of ancient Egypt and saw herself as a young girl. Troubled by her behavior and sleep disturbances, her parents placed her in sanatoriums but no real answers were forthcoming. As a teen, Dorothy began collecting Egyptian antiquities and, while performing with a theatre group, she played Isis in a production of the story of Isis and Osiris. In her twenties she went to work for a magazine that advanced Egyptian public relations and support for an independent Egypt.
In 1933, Dorothy married an Egyptian teacher and moved to Cairo. She reported that she felt that she was finally at home. It was here that she began to entertain the presence known as King Sety I. He came as a physical being that Dorothy could touch. Her mother who visited at one point also saw the form of the king, but mistook him initially for Dorothy’s husband. After the birth of her son, Sety, Dorothy’s behavior grew more concerning. She would get out of bed in a semi-trance state and sit at a desk and write fragmentary hieroglyphic messages.
Over the year that followed, Dorothy transcribed the story of her previous life in Egypt. The being who related the story was known as “Hor-Ra”. The work ran about seventy pages written in hieroglyphics. In the Egyptian lifetime, Dorothy was known as Bentreshyt. She came from humble beginnings and was placed in the care of the temple at Kom el-Sultan. As a teenager, she took the vows to become a temple virgin. Eventually, she met Sety I and they began an affair. Bentreshyt was pregnant by the time the temple authorities became aware of the situation. In order to save Sety I from the shame of the affair, Bentreshyt committed suicide. Upon learning her fate, Sety I was inconsolable.
By 1935, Dorothy’s marriage had crumbled and she relocated to a town near the Giza pyramids taking a job as a secretary and draughtswoman for an archeologist. She also dedicated herself to writing articles and books about Egypt. Her work here made her a valuable asset and she later moved on to work with Ahmed Fakhry at Dashur. While there, she was known to make offerings to the gods of ancient Egypt and spend nights in the Great pyramid. Dorothy’s work there ended in 1956 when Fakhry’s project ended. She was offered a well- paid job in the Cairo Records Office or a low paying position in Abydos. After consulting Sety I, she moved to the small town of Arabet Abydos and lived amongst the Egyptian people at a subsistence level. Dorothy now became known as “Omm Sety” (mother of Sety) as was the custom of villagers to refer to women by the name of their oldest child.
Omm Sety’s current incarnation was now living where Bentreshyt had lived during the Sety I reign. Her visitations with the king continued here and much more is disclosed. Two tests of Omm Sety’s reincarnation story happened here. In the first, she was asked to locate a particular wall painting at the Temple of Sety in the dark. She accomplished this during a time period when no publication had yet to divulge where the particular painting was in the complex. The other test concerned the location of a garden at the temple. Omm Sety had insisted from childhood that there was a garden at the temple and it was while she was living in Abydos that a garden matching her description was excavated. Omm Sety lived out the rest of her life pursuing her Egyptological studies, integrating into the local community, and practicing her ancient religion. She garnered the respect of the Egyptologists she worked with for her knowledge and integrity.
The Search for Omm Sety is a fascinating read about a woman who lived her life passionately believing she had once lived as an Egyptian priestess. There is much more to the intimate story of her and Sety’s relationship in this life for those wishing to pursue it. It’s a curious tale more powerful than many fictional stories about reincarnation.
Enter to win a free e-book copy of Elephants Never Forgotten (now through June 7th).
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Reincarnation: Past Lives & the Akashic Record by Lois J. Wetzel
I downloaded this book recently following a lead from Dana Taylor (www.supernalliving.com). It is the second book by Lois J. Wetzel concerning case studies of past life readings she’s done. This book clarifies some of the issues raised in the first book and goes on to share healing aspects that clients have experienced as a result of the readings. Wetzel also says that she has had readers report being healed just by reading the book.
Wetzel begins the book with the belief that we are immortal, spiritual beings reincarnating to learn lessons for the soul’s evolution. Eventually we become Master Souls and move on to other levels of development in the spirit world.
In order to help clients deal with issues or problems, she describes a process where she reads an individual’s Akashic records. This is a different process than doing a past life regression. Using a photograph of the client, Wetzel connects to the person and, while in trance, views past lives. The client does not have to be present or be hypnotized.
The book does not attempt to prove reincarnation (from a Buddhist perspective, the more correct term is rebirth. Only advanced masters reincarnate. The rest of us stumble back and take rebirth.). However, there is mention of some of the scientific work investigating reincarnation including that of Ian Stevenson, Jim Tucker, and Brian Weiss.
Readers will probably be as surprised as Wetzel was that she has seen past lives as dolphins and faeries. She also talks about overlapping and parallel lives which may be difficult for some. In addition, she’s viewed lifetimes prior to recorded history and glimpsed civilizations we apparently have no record of.
The case study section of the book provides a transcript of a reading followed by comments from the client. There’s no doubt that the readings often resonate with the client and many things are confirmed. The power of the work lies in its ability to provide healing and consolation for the individuals seeking it.
Reincarnation: Past Lives & the Akashic Record is an engaging read and will leave readers wondering about their own lives and the ones they’ve lived previously. What is a hold-over from the past? What kind of healing can be had here and now? All good questions.
Amazon link: http://goo.gl/Sc806k
Author Website: http://hotpinklotus.com
Dana Taylor’s website: http://supernalliving.com
Author Paul Hill kindly hosted me on his blog. Follow the link. I spill the beans on my military background, why I write for kids, and share some curious personal paranormal happenings. Comments welcomed! I’m always here (or there) to chat.
I know these tests have become popular for discovering ethnicity. Heck- I wanted to do it myself. I even ordered the kit. BUT you need to read the fine print and understand that in order to get your results, you are signing away your rights to your DNA sample forever. The tests are not destroyed, but rather maintained in a database for use in any way Ancestry.com deems useful/appropriate for however long they want. Think about that before you donate your sample.
Efforts to cancel my test and get a refund were less than successful. Give this scheme a pass, as I wish I had.
Nicholas & Helena Roerich
The Spiritual Journey of Two Great Artists & Peacemakers by Ruth A. Drayer
This was an enjoyable read that followed the lives of Nicholas and Helena Roerich as they fled the Russian revolution traveling the world looking to bring a measure of spirituality and art into everyday life. Although not a name recognized today, Roerich was very well known from the 20s until his death in 1947. He was primarily an artist who left a vast legacy of paintings (most of which remain in Russia). But he was also a bit of a Renaissance man dabbling in archeology, spirituality, travel, and efforts at conservation and world unity. Equally interesting was his wife, Helena, who was a psychic and healer who had contact with some of the Masters known to the Theosophists. She wrote and developed the foundational works of the Agni Yoga practice. Together, they functioned as a spiritually-driven couple who established a school of the arts in New York City in the 1920s.
Their pursuit of all things spiritual eventually took them into India, China, Mongolia, Tibet, and Siberia. The treks happen at a dangerous time when few Westerners have traveled these regions. They often find themselves in situations they are ill prepared for. As a travelogue, it’s a fascinating journey, but not one many of us would choose. We learn that the Roerichs are in search of signs of the coming of Maitreya (a future Buddha) and interested in establishing a New Country (Shambhala) that has been prophesized. All through the journey, they hear tales about Christ (Issa) having spent time in the East. Although Nicholas’ art is energized by the trek, they don’t seem to find what the Masters are leading them towards. They settle down in northern India.
Nicholas’ next chance for adventure north comes in 1934 when he is asked by the US government to lead an expedition into these regions to find seeds for drought resistant grasses to help recover lands being swallowed by the dust bowl. He agrees, but things don’t go to plan due to political instabilities in the region. Around the same time, Helena maintains a correspondence with FDR.
Roerich’s lasting legacy is his art and the signing of the Roerich Pact in 1935 by twenty-one nations including the US. The document was signed at the White House to protect artistic and cultural property, especially in times of conflict. Roerich was trained as an artist in Russia but also incorporates his sense of spirit with influences coming from peasant culture, Buddhism, and Theosophy. His work is overwhelmingly mystical.
The Roerich Museum (NYC): http://www.roerich.org/
Link to Drayer’s book: http://goo.gl/IrxpnP