SJ Parris has written three novellas on the early life and adventures of the Dominican Friar, Giordano Bruno. In The Dead of Winter, we find Bruno uneasily settled at San Domenico in Naples in 1566. Bruno’s curiosity draws him deeper into philosophical questions and the nature of the healing arts. He has a penchant for asking uncomfortable questions and an ability to pierce mystery. Learning medieval medicine soon brings him into contact with others who seek deeper knowledge. In dark times, that means powerful men in secret societies who run risks that this young priest finds irresistible. A forbidden autopsy, murder, and countless secrets swirl at San Domenico and so do the politics of power. It will take Bruno’s keen intellect to survive.
This is a nice addition to accompany the other full-length novels Parris has done on Bruno.
Although denied for centuries by the Church and some scholars, Donna Woolfolk Cross, has written a convincing fictional account of a ninth-century woman Pope. Her notes concluding the novel outline her credible sources for why she believes Joan did in fact exist. Her choice to write fiction was based on there not being enough known about Joan to write an extensive biography. Nevertheless, she makes a good case for her existence in a time when few records were kept and very little is known about the time period. Joan’s story comes to us through persistent legend and uncanny Church practices.
The novel plunks the reader down in a foreign age where women are not only second-class inferiors but brutally treated. Possessed of an inquisitive mind, Joan immediately resents living in a household where her brothers are educated to rise in the Church and she is left to menial housework. Her only eventual task is to marry as well as she can. Opportunity comes when her brother dies during a Viking raid, and she seizes the chance to disguise herself as a man and enter monastic life. Once established, she excels as a scholar and healer. Turbulent times eventually lead Joan to Rome and all the way to the papacy.
Cross’ book roughly follows the legends that have come down about Joan. The tale is well-written and engaging. Modern audiences can well imagine the motivations of someone who wants more for themselves and acts to defy convention and take advantage of opportunities as they come along. The story is a triumph of the human spirit striving for expression while the darker forces of others are at work here as well.
Katherine Howe weaves fictional magic involving tales of ancestral bloodlines, curses, ghosts, and witch trials. All of this spun amid solid historical fact. In this book, Boston at the turn of the last century, anchors the story of Sibyl Allston, a woman who is resigned to her role as family caretaker after she loses her mother and younger sister on the Titanic.
Once a society debutante, Sibyl’s circle now includes a medium with whom she hopes to reconnect with her dead family members. When her younger brother is dismissed from Harvard for reasons he won’t disclose, Sibyl seeks out a former romantic acquaintance for help. Professor Benton Jones, who is recently widowed comes to her aid. Sibyl gets caught up in the opium dens of Boston’s Chinatown as she falls increasingly under the spell of the medium she has come to trust. Can Benton help her to solve what’s going on now and in the family’s past?
The book is character-driven and slow in places. The period descriptions and blending of the paranormal with an investigation keeps things interesting overall. The author uses multiple points of view to frame the story. Sibyl has her tale but so does her father Lan, her mother Helen, her sister Eulah, and her brother Harlan. Ultimately, this is a story about Sibyl finding her truth after much searching. A good book to be enjoyed for its characterization, setting, and the thoughts it provokes on fate versus free will. And just for fun, the author provides directions on how to do your own scrying!
I’ve been intrigued by the notion of sin-eaters since I saw a movie concerning the topic years ago (The Last Sin Eater, 2007). Recently, I spotted this YA historical fiction work on the theme. It’s an intriguing book with a nice murder mystery at its heart.
But what is a sin-eater? Sin-eaters are designated individuals within a community who consume ritual foods thereby taking on the sins of a deceased person. The foods symbolize (or absorb, depending on your perspective) the sins and through ingestion, the sin-eater acquires the sin thereby absolving the deceased, and paving the way for entry into heaven. Historically, the practice is associated with Wales and the English counties bordering Wales.
In the book, The Sin Eater, 14-year-old, May, is made a sin-eater after stealing a loaf of bread during the reign of Elizabeth I. Marked as a sin-eater and shunned by society, May eventually seeks out an older woman in the same situation. This woman mentors May in this hard life through example because verbal communication is forbidden. Sin-eaters are well fed and outcasts who are redeemed only upon death, having faithfully served their purpose—or so May is led to believe. Things are turned upside down when the older sin-eater refuses to consume a deer heart for a royal governess who’s died. Refusing to do so costs her life. May loses her teacher and ends up center stage in a mystery of death and intrigue involving the royal bloodline.
I enjoyed the book because it is an imaginative tale about something very little is known about. And yet, it did exist culturally, and the legacy carried on to some extent in areas including western England, Wales, Bavaria, and 17th century Dutch America. Campisi’s novel is now available in paperback.
The strange book title comes from the poem “Sailing to Byzantium” by WB Yeats. This historical fiction tale addresses the life of a young socialite. During WWI, Georgie Hyde-Lees breaks free from maternal control and arrives in London to nurse soldiers. Through her mother’s connections she meets WB Yeats, the famous poet many years her senior. Interested in the occult, Georgie enlists Yeats’ help in securing an invitation into the Order (The Hermetic Order of the Golden Dawn). The author’s descriptions of a young woman trapped by conventional society’s rules and expectations are well drawn. Georgie falls for Yeats, but the reader remains hard pressed to understand the attraction Georgie exhibits. Certainly, he treats her poorly throughout their relationship. At the time of their meeting, WB struggles with his professional writing career faltering.
Presented with the option of another suitor, an officer who is her contemporary and a suitable match, Georgie sends him packing. Regardless that her mother and friends warn her that Yeats still loves a woman from his past (Maud Gonne), headstrong Georgie doggedly pursues Yeats. Yeats strings her along through his reconnection with Maud and then Maud’s daughter, Isesult.
Georgie’s stubbornness eventually pays off. Turned down by everyone else, Yeats finally marries Georgie. Neither are happy in the marriage but to keep Yeats’ attention (at least for a while), Georgie takes up automatic writing. Very keen to engage in all things esoteric, Yeats focuses just enough on his wife. That satisfies Georgie even though she knows she’s perpetrating a fraud. Eventually, Yeats’ poems benefit from the pursuit of the greater unknown.
Having read the reviews on Amazon after reading the book, most people agree the writing is exceptional, although the pacing suffers in a few places. The depiction of the period and societal constraints are interesting and well done. My biggest gripe is that the book is basically a very sad, one-sided romance. I had hoped for a journey into a mystical world of secret societies where Georgie actually had some PSI ability. At least on that level, she might have shared a connection with the older poet. Apparently not, she duped her husband for years if this fiction reflects reality.
During the Middle Ages, a lay group of women dedicated to a life of prayer, hard work, and community service thrived in the Low Countries. Known as the Beguines, Karen Maitland imagines what it might have been like for a group of these women to have struck out on their own to settle in an unwelcoming English town. The atmosphere is tense as the women are seen as outsiders, not part of Mother Church and not part of the resident pagan tradition either. The women bring their ideas of Christian charity to the townsfolk who regard them with suspicion and sometimes open hostility. As the village suffers through a series of disasters, the power of the Church is threatened, dark forces from earlier times reawaken, and the beguines must decide to make a stand or return to the safety of their continental shores.
Karen Maitland novel is well-researched and executed. The story is told from the various viewpoints of the characters in the town of Ulewic. In this way, we learn each of the beguine’s has her own history and her own reasons for joining the group. We understand the struggles of the local priest as he fits into a system that leaves him little room for personal choice. A nobleman’s daughter helps us feel the restrictions of living as a young woman in Medieval society. An array of townsfolk completes the cast. The Owl Killers are a group of masked men who harken back to a day before law and order. They are definitely flesh and blood and do their share of evil, but Maitland has, at times, blurred the line. Although most of the story feels firmly planted in third dimensional reality, there are a few places where things take on an otherworldly creepiness. Man’s ability for cruelty can be disturbing and this book certainly has those moments. The ending may leave you wanting more or maybe something else entirely.