Tag Archives: consciousness

HEART-CENTERED CREATION

Interview with Kimberly Harding, PhD- artist, author, and teacher

moonpull

As the Moon

pulls the Wave,

God

pulls the Soul.

Welcome, Kim. Please tell us a little about yourself and your work.

I am currently a college professor at a small school in central Colorado. I teach in the science discipline- primarily anatomy and physiology, microbiology, and such. I am not one who always knew I wanted to be a teacher, but when I taught my first college lab, I was hooked. It was only after completing my PhD education and securing my first job that I “let out” my artistic side. I remember a New Year’s Eve in which I stayed home to paint and I realized how much everything had changed for me. I do not know what precipitated my sudden interest in art at that time, but it has been with me ever since.

Currently, you are combining teaching science and creating artwork. Does one support the other? Could you see yourself doing only one?

 I think most of my colleagues would be surprised to learn if I had to choose only one- it would be art. However, science and teaching provide a grounding force in my life, which I believe support my artistic side with a sense of security.

Of course, there are points in which the two interests converge. I have written and spoken about the power of the female body. Many of the details arise from my scientific training. When I speak on this topic, though, I always present my artistic images, and I believe those are what remain with the audience the most.

Likewise, when I did a book comprised of artistic images and poems of the heart, many of the ideas I played around with were based on my understanding of the heart from a physical perspective.

flyintodarkness-1

It is those who have been

hurt the most,

that understand the best.

 

And it will be those,

with the Soul’s awareness ground into bone,

that heal this world.

 

I read that you started creating art when you were thirty. What led you to begin expressing yourself in this way?

I truly do not know that answer. I have never taken an art class in my life and throughout my earlier years I had self-defined to the nth degree that I was a scientist and “very logical”. There is something about touching colors, though  ( I work with pastels and move the pigments around with fingers and hands) that speaks to my soul.

How important is creative expression to spiritual growth? Because so much of your work seems to center on the heart and compassion, I wonder how art can aid healing?

I do believe that art can facilitate healing. I recently wrote that “The artist sees before anyone else believes.” When we are in the creative state, our inner artist is able to reveal to us what is has “seen”, usually before we are even willing to be conscious of the experience.  My artistic process is very “in the moment”. I used to “receive” images in my mind while falling asleep and I would feel compelled to create them the next day. It was almost a compulsion.  Now, I begin with blank page and make a few random lines. I have to sit with the image and see what it wants to become slowly. In the process, there is such an inherent sense of my having to be honest with what is arising. When I try to manipulate, control, and project, the image veers off into something less than profound.

Were you a creative, artistic kid? Did you like art classes or did you gravitate to science very early?

I was not a creative child in any form. My parents are not very well-educated. I saw education as a “way out” and liked the security (and money- sciences tend to be very well-funded) that science education seemed to provide. Early in my life, I would not have risked becoming something as “crazy” and “unstable” as an artist.

appearingYour Spirit’s shape and form stand out in

stark relief against the

background of any circumstances.

What themes has your art allowed you to explore? How do you see your work developing? What impact would you like your paintings and poetry to have on the world?

That is the gift of art, isn’t it- it gives us the ability to explore. I have explored the power of a woman’s body, as well as the power and strength related to male-ness. I spent one summer in what I refer to as my “phallic phase” as images of penises abounded. I have also done entire series on hearts, birds, symbolic shapes, symbols of union and more.

I am constantly surprised how my work develops. I have to say, and I wonder if this is true for other artists- that I will sometimes want to define myself with limitations, -i.e., I want to be the “heart artist” or whatever idea I am currently playing with at that time. That type of self-definition does not seem to be part of my artistic pathway.

As for the impact of my art and poetry, I want it to be “gentle”. That may be a strange thing to say, but I feel so much in life, including spirituality, is layered and projected upon us. I want my art to simply be a gentle opening for others to realize their own understanding.

Thanks for sharing your work with us!

Kim has two books available which combine her paintings and poetry.

The Heart Within You-

http://www.amazon.com/Heart-Within-You-Learning-Yourself/dp/1495432351/ref=sr_1_2?s=books&ie=UTF8&qid=1428943038&sr=1-2&keywords=Kimberly+Harding

The Spirit Within You-

http://www.amazon.com/Spirit-within-You-Learning-Compassion/dp/1499318286/ref=sr_1_1?s=books&ie=UTF8&qid=1428943089&sr=1-1&keywords=Kimberly+Harding

Watch Kim’s fascinating lecture on Female Embodiment- A Woman’s Place (22 min) https://www.youtube.com/watch?v=BcKXaq1l1kk

For more information on Kim and her work, please visit her at the following site:

https://kimberlyharding.wordpress.com/

 

 

 

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THE MYSTIC AS ARTIST

THE WORK OF ENRICO MAGNANI

 Amiens Labyrinth

Amiens Labyrinth

“I pursue a language to express universal truths that cannot be communicated with words.”   Enrico Magnani

Enrico Magnani is another friend I’ve met through blogging. He is a fellow mystic who expresses his journey along the path through his abstract artwork. His paintings are profound, using symbols to speak to our subconscious minds. For him, the symbols act as a catalyst to stimulate a process of inner questioning. The viewer is taken on a sojourn deep within ourselves to discover our alchemical gold revealing universal truth.

Mars & Pluto Game II

Mars & Pluto Game II

Enrico’s artwork can speak to all of us because it transcends culture, time, and space. Those on a spiritual path will find a companion truth seeker and an instant resonance will be established. Walk with him as he explores those mystical symbols, labyrinths, astrology, sacred geometry, the I-Ching, spiritual alchemy, and archetypes.

Reading his interviews, it’s clear he sees art as creation but he also wants art to evolve as he feels we all should do. His own path included a time of creating realistic images but eventually he began asking deeper questions and his art became more and more abstract. Today his work is entirely abstract using the understanding he had derived from more than twenty years  studying ancient traditions, philosophies, religions, and myths.

Fuoco (Fire)

Fuoco (Fire)

“Art can penetrate the domain of the soul and emotions, of everything that is not material, nevertheless real.”

Enrico Magnani

Enrico’s paintings have been widely exhibited throughout Europe and in two locations in the US. Currently, he is working on a project called “Cosmic Hug.” Begun in 2013 in Prague, the effort will link art and individuals in a global project demonstrating the interconnectedness of all beings while benefiting the needy.

For more on Enrico Magnani, please visit these sites:

http://www.enricomagnani-art.com/

https://enricomagnaniart.wordpress.com/

https://www.youtube.com/watch?v=5eFPKHrivbQ

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Filed under art, Spiritual/Mysticism

I Write Visionary Fiction- Who Knew?

Photo: Salvatore Di Giovanna (2008)

Photo: Salvatore Di Giovanna (2008)

I’ve always bristled at categorizing my writing although I recognize it’s important for marketing purposes. Writing for kids seemed natural because I always saw promise and openness in young people.  Adults can be very set in their identities, roles, and futures. Kids play with new ideas, try them out. The distinction between writing for older or younger kids also was easy. I like both age groups and have a tendency to jump from one to the other once I finish a given novel. Having to adapt to a different audience allows me an opportunity to play in different ways.

But then an agent or publisher wants to know sub-genre. What’s my sub-genre? Here’s where things get tough. Traditionally, my work would be lumped into fantasy or science fiction, sometimes paranormal. But is it?

Photo: Ole Anders Flatmo (2013)

Photo: Ole Anders Flatmo (2013)

This week I learned about a newly emerging genre called visionary fiction. According to the Visionary Fiction Alliance (VFA), this category of writing “embraces spiritual and esoteric wisdom, often from ancient sources, and makes it relevant to our modern life.” It does this without preaching to the reader. Furthermore, there is a strong emphasis on the growth of consciousness while often employing reincarnation, dreams, visions, and psychic abilities within the novel. Human characters in visionary fiction point to our limitless potential to transform and evolve.

I write visionary fiction. For more information on this genre and books which fall into it, visit the VFA by clicking on the link on the sidebar.

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CAN MYSTICISM BE PRACTICAL?

Photoevelyn3

Evelyn Underhill asked this question of herself one hundred years ago on the eve of the outbreak of The Great War. Oddly enough reading her book titled Practical Mysticism, I’m struck with how current it is. Her arguments against materialism and self- interest are as pertinent today as they were in 1914. And how strange it is to be reading her work at a time when the US appears to be on the verge of expanding the war on terror. This is the case especially when you consider how at the end of WW I, the victorious sliced, diced, and built nations in the Middle East which are root causes of today’s issues.

book

Evelyn Underhill is considered an authority on Christian mysticism having spent a lifetime researching, exploring, experiencing, and writing about it. For her, mysticism is defined as the art of union with reality. Notice the absence of the G- word. In order to justify taking up the call of this difficult journey, both inward and outward, mysticism to Evelyn’s mind must be practical. It’s not just about reaching up, it’s also about bringing down. While the experience of ultimate reality is personally transforming, mystics must create in the material world.

In Practical Mysticism, Evelyn outlines a universal process to be used by those interested in deeply engaging with reality. The first step requires the training of attention. With meditation and recollection, you begin to experience freedom, spaciousness, and peace. Your values change as you let go of your attachments. Later, as you develop in the first contemplation stage, you bring the “eyes of love toward the world”, recognizing the Immanent Being in everyone (and everything). You go in search of connection while dismantling your own personality. During the second contemplation, you’re pulled into deeper levels of reality which are supported now by an inward push. At this stage, knowing is achieved through direct intuitive contact and not through thought or feeling. Here the depth and height of your experience transforms you. The transcendent nature of mystical experience is ineffable, but that has never stopped mystics from trying to describe it.

Photo by Bjoertvedt

Photo by Bjoertvedt

One line truly stood out from the book for me. Evelyn says (and here Christian mystics seem to depart from Eastern traditions), “Perpetual absorption in the Transcendent is a human impossibility, and the effort to achieve it is both unsocial and silly.” Of course, there are whole traditions that advocate just that.

Returning to Evelyn’s map of mystical progress, the third contemplation is characterized by a ceasing of your active efforts. You let go of striving and rest in the darkness and quietude. The self surrenders, receives, and gains a conviction in the certainty of the Transcendent. What you actually experience depends on the individual. Some may experience ecstasy, but it is always on some level, unity through personal encounter. From here, you return to the material world to take up the mystical life going deeper and wider, permanently changed. Now the work involves becoming “an active and impassioned servant of eternal wisdom.” In Evelyn’s model, contemplation is never an end in itself. The challenge of the spiritual life is to go up and down the ladder getting inspiration and creating in the world. The work to be done today is huge; much like it was back in 1914. The true mystic takes up the call to live a “better, intenser, and more significant life.”

 

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Filed under Book Review, Books, Spiritual/Mysticism

ENTER TO WIN A FREE COPY OF MY BOOK

snow scene

TreeHouse Arts is running a contest through July 10th (Th.). Enter with a poem about snow. Winner’s poem will be published on their site. Good luck!

http://treehousearts.me/2014/07/05/part-iii-summer-reading-giveaway-and-haiku-contest/

Into the Land of Snows

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HER STROKE OF INSIGHT

Thirty seven year old neuroanatomist, Jill Bolte Taylor, rose on the morning of Dec. 10, 1996 to start her morning routine getting ready for work. It turned out to be anything but routine.

 A blood vessel exploded in her left hemisphere leaving her unable to walk, talk, read, or write.

To understand what she experienced, it’s important to recognize how the two parts of the brain work. The right hemisphere thinks in pictures and connects us all as “energy beings” as Jill describes it. The right brain is all about being in the moment and sees us as perfect and whole. The left hemisphere thinks linearly, connecting us to past and future. It thinks and plans using language. It is the left hemisphere that creates the experience of the self as separate from everything else.

JB Taylor

Jill woke that morning with an intense pain behind her left eye. Not realizing anything was truly wrong, she attempted to get on with her day and proceeded to her cardio-glider to get her exercise done. On the machine, she noticed that her hands looked like strange claws. Then she had the experience of witnessing her body as if it were a separate entity. Her head pain intensified so she got off the machine. It was then that everything seemed to slow down. Gone were her quick and fluid body movements. The rigid boundaries of her body evaporated as she propped herself against a bathroom wall. She watched as the molecules and atoms of her body merged with those of the wall. Next she lost her left brain chatter as her mind was silenced.

In the quiet, Jill was drawn into an expansive field of oneness. This was a peaceful, delightful place until the left brain returned telling her she had a problem and needed help. She would alternate between these two realities: one she called La-La Land which was a beautiful state of pure consciousness and connectedness and the other that called her back into the world with ever-increasing urgency. When her right arm became paralyzed, Jill realized she was having a stroke. She knew she needed help and attempted to call work. But by this time, she had lost the ability to recognize words and numbers and it took 45 minutes to finally make this all important call.

At the hospital, Jill struggled with the pain and sensory overload of being in the body. Those experiences were relieved at times by journeys into nirvana (her word); that profound place of peace, freedom, and expansiveness. On a deeper level she comes to understand that everyone can experience this nirvana state.

     “That they could purposely choose to step to the right of their left hemisphere and find this peace.”

This is her stroke of insight, the gift she brought back into the world, the source that would motivate her  year long recovery.

We have the choice to move between the hemispheres moment by moment. We choose, we create. Jill believes (and I agree) the more time we spend in the right hemisphere, the more peace we will find as individuals and the more peace we will bring back into the world.

Jill Bolte Taylor has written a wonderful book. It will especially appeal to the scientifically minded, but it will attract just as many mystics. The other true gift of her experience has to do with understanding what it’s like to have a stroke. If the medical community and family members had this level of understanding, it would revolutionize the care we give stroke victims. I would especially recommend her book to anyone who is caring for someone who has had a stroke. To learn from the inside out what it’s like can only make us more compassionate and more understanding.

WATCH DR. TAYLOR AT TED:

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Filed under Book Review, Energy medicine, Spiritual/Mysticism

WHO WANTS TO BE NORMAL ANYWAY?

“The trembling in academic journals over how science must be falling apart because of positive evidence for psi is a desperate attempt to maintain a stable worldview where psi can’t exist.” Dean Radin, PhD

Welcome back old and new friends. It’s been a while and I wanted to share something I’m really enjoying. I’m reading Supernormal by Dean Radin. From the mystical side I’ve known that many (if not all) spiritual traditions hold that spiritual progress, especially through meditation practice, directly leads to the emergence of what we commonly call psychic ability (PSI). And these traditions also warn the seeker not to be distracted or side-lined when it happens because the spiritual path’s goal is Truth or union with the Universe (God, divine, Absolute, Reality, etc.). Leave it to scientist Dean Radin to put this to the test.

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About two thousand years ago, Pantanjali (The Yoga Sutras) wrote in rather cookbook terms that if you sit down and quiet the mind and dedicate yourself to this practice, you will eventually gain supernormal powers (siddhis). Elementary siddhis as outlined by the text include telepathy, clairvoyance, precognition, and psychokinesis. And to open your mind further, Pantanjali goes on to discuss the more advanced siddhis of invisibility, levitation, invulnerability, and superstrength (homage to comic book superheroes here). Are you still with me or are you rolling your eyes and scoffing? I sense a few of you are… smiling.

If you’ve read some of my previous work, you already know that science long ago established the existence of precognition with the Rhine experiments and the meta- analysis which followed (Honorton/Ferrari). There is statistically significant evidence for precognition although its effect is small in the general population. The point is that it’s there.

In the 1990s Radin went on to look at presentiment (prefeeling instead of preknowing). Radin used a random number generator and a stock of color photos which contained calming or emotional images that were flashed on a computer screen. He collected the subject’s reaction via skin conductance levels using electrodes attached to the palm. (Radin gives an exhaustive description in the book in case anyone wants to examine all the experimental protocols.) The results indicate that people react physiologically BEFORE they see the image on the screen. The experiment is strong evidence for presentiment even though the subject does not have conscious awareness of the image.

Back to Pantanjali. In a fairly complicated experiment, Radin looked at a group of meditators and non-meditators (sixteen individuals total). Meditators with a lot of experience in non-dual techniques often can achieve a deep state of absorption (Samadhi/Samyama) where time and space evaporate. The yogic perception is that an underlying deeper reality exists beyond time and space. In this reality, past and future influence the present. We are used to thinking about the past influencing the future, but it may also be that the future is at work as well. In this way of looking at things, presentiment/precognition can be viewed as the future influencing present awareness.

In the experiment, 32 channels of EEG were measured before, during, and after exposure to unpredictable light and sound stimuli. If meditation practice developed a way to extend consciousness through time, then we would expect the meditators to exhibit prestimulus differences in EEG responses over the control group (non-meditators). The research revealed that meditators did show brain activity that anticipated an audio signal. Non-meditators did not show any significant prestimulus differences between light v. sound.* The outcome supported the idea that the meditators were accessing the future in a way consistent with Pantanjali’s description.

A reversal of the cause-effect sequence is compatible with classical and quantum physics. Physicists already accept time reversal for the quantum world, but the evidence for precognition suggests it also takes place in the macro-world.

The evidence for precognition/presentiment may excite you or it may make you very nervous but either way, it should make you pause to consider how our worldview must change. Science has to take us to new places and challenge us to think and see in new ways. Scientific laws are not carved in stone and to reject all PSI research because it doesn’t fit a materialistic worldview only slows down the inevitable. We are starting to see the ground shift. Seventy-five years of scientific evidence from all over the world indicates that humans do possess one of the siddhis Pantanjali listed. We can glimpse the future.

More Summer Reading:
Emotional Freedom (Energy Psychology)- Judith Orloff, MD
The Biology of Belief- Bruce Lipton, PhD
The Way of the Explorer- Edgar Mitchell (astronaut)
The Genie in Your Genes- Dawson Church (epigenetics)

*Reasons why the non-mediators didn’t exhibit presentiment (in this small study) may be due to the stimulus not being emotionally charged and/or the choice of measuring physiological changes might not be the best one.

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Filed under Book Review, Books, PSI, Spiritual/Mysticism, Uncategorized