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HAS THE VOYNICH MANUSCRIPT BEEN CRACKED?

This is an update to a blog I did in 2012 about the Voynich Manuscript. Recent work done by Dr. Stephen Bax (Professor of Applied Linguistics, University of Bedfordshire) has resulted in some startling findings.

voynich botanical

From 2012:

I love tales of missing manuscripts especially in fiction, but also in non-fiction. Last week, I finished The Swerve which featured the true story of the recovery of Lucretius’ poem, On the Nature of Things, and how it influenced our modern world. I liked the idea of a Renaissance book hunter slipping into monasteries looking for ancient wisdom. But I have a better story to share.

In 1912, Wilfrid Voynich recovered a mysterious manuscript that bears his name and resides in the Yale Library as Manuscript 408. The curious document has defied the patient and persistent attempts by all amateur and professional cryptographers to break it.

Its exact history is sketchy, but the document is alleged to have belonged to an Emperor, several practicing alchemists, and a religious order. Some have even proposed that Roger Bacon or John Dee authored the manuscript.

Consisting of 240 vellum pages with colored illustrations, the writing script is unknown and unreadable. Many of the illustrations resemble herbal texts of the 15th Century except that only a few of them can be identified. Aside from the herbal renderings, there are also illustrations covering topics on astronomy, biology, cosmology, medicines, and recipes. The drawings are fanciful, colorful, and complicated. Carbon-14 dating in 2009, dates the manuscript to between 1408 and 1438.

The text itself has puzzled for decades and even modern computer tools have proved ineffective. The writing itself seems to progress left to right with no punctuation. There are no obvious corrections, the document being very carefully executed. There are some 170,000 separate glyphs utilized throughout and many are used only once or twice. Statistical analysis of the work reveals that it resembles the flow of natural language. But what language? It seems to share some correspondences to English and Latin, but not entirely. The repetition of the glyphs is not a characteristic of European language.

Manuscript 408 remains the only undeciphered Renaissance manuscript and it continues to draw many into its mystery. Some think it’s an early herbal or medical text. Others see it as a work of alchemy (early chemistry) or hermeneutical teaching. Still others have declared it a hoax, but if it is a hoax of some kind, it goes beyond anything produced in the 15th Century. It goes beyond the codes and cyphers used then, and continues to evade codebreakers today. What is this curious work and who penned its bizarre contents?

For those intrigued enough to read further:

The Voynich Manuscript- Gerry Kennedy & Rob Churchill

The Friar & the Cypher- Lawrence Goldstone

Six Unsolved Ciphers- Richard Belfield

Drawing on work done to date, Dr. Bax undertook a detailed look at some of the plants and signs in the manuscript. He began with some of the speculations on plant names to decipher letters within the text. He believes he has deciphered ten words and fourteen signs to begin the process of identifying the language MS 408 was written in. Dr. Bax believes the manuscript is not a hoax, but rather a 15th Century book on nature written not in code but rather an unknown language. Now, the hard work begins to try to reveal more of the manuscript. It seems like this is an instance when having the right experts makes all the difference.  

Watch Dr. Bax’s video describing his process and work. http://stephenbax.net/?page_id=38

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INTERVIEW WITH AUTHOR EDWARD FAHEY

THE MOURNING AFTER by Edward Fahey

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Seeking other writers who write on spiritual topics, I was drawn to Edward Fahey’s work. His recently released novel is a treasure and I want to share it with a larger community of bloggers and others who have gifted me with a very special audience. Edward has created a beautiful, mystical work using his own brand of poetic prose which captivates and delights. His writing excels for its descriptions, character building, and tone. Come; dig into the magic and mystery as we follow Denis, M, and Waters who will eventually discover who they truly are.

Here’s a brief synopsis of The Mourning After:

Nightmares of war and death from lost centuries torment a young boy with ever more devastating detail until he can’t separate fantasy from reality. Denis meets a child he calls M, who seems to know his dreams intimately. She asks him, “Do you … remember?” He grows into adulthood amid disturbing evidence that his fantasies have been ancient memories. He finds a decrepit cabin in the woods where they start coming real. Outside is a grave for one of his “imaginary” childhood playmates, Enoch. Someone has been tending a garden over it. Through life after life Denis and M have loved each other with increasing desperation. He keeps dying young; leaving her grieving into lonely old age. Enoch, always in the background, somehow holds the key to ending this cycle of suffering. Denis now searches for M, as she fights her own haunting mysteries back to him. He meets a quiet, mysterious man in the forest…. You will believe in reincarnation. Probably before the narrator can. You will know that broken relationships can be mended, and that tragedy can lead to triumph. But most of all you will fall in love. This is a tale for those who never quite fit in. It’s a story of passion, where that which can’t possibly be true weaves through wonders that can’t be denied, until love makes everything real.

In a world where death is but another beginning, you must trust in what you cannot believe.

Welcome Edward and thanks for being here.

Author Edward Fahey inside Merlin's Cave.

Author Edward Fahey inside Merlin’s Cave.

Thank you, Ellis. I feel like The Mourning After is my gentle-natured baby, so I love that she is touching the hearts and lives of so many readers. It’s like we are an intimate and growing family. I’m thrilled you’re now part of it.

I know this novel is a reflection of your own spiritual path and I wonder if you could share how the idea for the novel came into being and how it grew over time.

My mom, dad, and great-grandmother returned as ghosts. People in my family don’t always stay dead. I’ve had past life memories of being given as a small child to the church in medieval times, and of being burned at the stake as a high priest. Since childhood I’ve sensed lingering spirits in old homes and graves. So you might guess I rather naturally came by a certain curiosity about what lies beyond.

“The Mourning After” also grew out of a profound romance, including shared past life memories that totally changed me in my twenties. When it ended, a victim of loving beyond the stage of self-sacrifice, almost to that of soul-demolition, I knew we’d have to meet again in some future life, because we weren’t done loving each other.

I marinated in this conviction for years until “Mourning” was finally born.

I just returned from six months in Europe, touring powerful ancient centers of spirit, mysticism, and magic, along with ancient graveyards. Exploring other realms has been a lifelong passion of mine.

Photo by Daniel Case

Photo by Daniel Case

Throughout the book, you use extracts from The Mountain Journal. As a reader, I questioned whether these poems were specifically created for the book or if they were from your own journals collected over the years.

Great question. It was actually some of both. I’ve had readers tell me my characters are so alive they have dreamed about them. Well just imagine how they shove and nudge about through my own days and nights. When I finish writing one novel, I have to spend months letting that world dissolve before I can find an open  place in which to start building, or discovering, the next world.

But while they are alive, we eat, sleep, and dream together. When I watch trees fade into darkness, I see them through the eyes, spirit, and mood of whichever character is coming through me at that time.

For example, I heard a dog echoing through the woods one night. I live in the woods, and had heard that before, but this time I was sitting with Denis, a lonely, painfully sensitive, isolated soul who had lost everyone he’d ever loved. He was troubled by nightmares that could have been ghosts, could have been past life memories. So I feel it was he, more that I, who wrote:

      Dogs don’t echo in the city.   

Under a low, sodden moon,

one far distant and solitary beast

called out to a world that had turned away.

His plaintive baying haunted me,

echoing unanswered through the wooded hills.

His loneliness drew up into a soft little fist of tears inside my chest.

The evening was just gathering;

this poor empty creature would have a long time to cry uncomforted.

- Then I sensed forsaken spirits

wandering lost among the trees around me,

keeping silent company,

themselves uncherished and unanswered.

As these nightmares and mysteries gather ferocity, slashing at him, insisting he figure them out, he can feel something big, maybe even fatal, coming at him. So when I listened to the winds as he was went this, it was as if it was he who was listening: 

Far off I heard ominous winds gathering force,

churning trees with massing ferocity;

while around me

all things held and were still.

Except for the anticipation.

As I looked out on cold grey day as he suffered, I shared his mood:

     Outside the clouding windows,

a few weary leaves

shivered off their last dying hopes

as fragile wood fingers danced back the winter.

I would love to take credit for these passages, but they grew out of the passions and needs of the characters moment by moment.  Many have said this book has a life of its own, and I’ve just helped set it free. I may have been wandering the woods around my mountain cabin, observing and gathering thoughts; but once the world of any one book has formed around me, I am never alone, and what I write seems a shared effort.

Alone, I can only write the first draft. After that, the characters take the reins from me, and carry each tale to places I could never have imagined on my own.

One of my basic rules of writing is that I must surprise myself, or I could never surprise the reader. When these characters come fully alive, in all their psychological layers, they are just full of surprises.

 Your novel begins with Denis as a child. I enjoyed the way you blended the fantasy play life of this boy with the stirring of past life recall. Did this come naturally to you or did you research children who exhibited past life recall?

 I have researched reincarnation and what lies beyond. I am quite sure, since before my own birth. I’ve had ancient memories both under hypnosis, and spontaneously. In The Mourning After, there are scenes where a young couple recalls Native American village life from another time. These were based on recurrent memories I enjoyed from as far back into my childhood as I can remember.

Mountain Flower, photo by Rennett Stowe, USA

Mountain Flower, photo by Rennett Stowe, USA

I know we share a background in Theosophy. There are many aspects of the story which resonate with those ideas. What other ideas or influences helped you to create The Mourning After?

Students of theosophy may recognize certain moments, like when a ghost writes a message to a friend in trouble, and the words seem to bloom inside the paper, rather than being written on the surface (as with certain Mahatma Letters).

There’s another scene where a deceased character gathers a tiny seed of heaven and memory before being pulled back into the world of the living. This is how I see the concept of the Sutratma.

But beyond theosophy, and my own life, I think there have been unseen influences. Sensitive friends have told me that when I read passages of this to theosophical groups, unseen beings, spiritual teachers, gather around and listen in. Sometimes they nod, as though they had tried to influence or inspire me as I’d been writing it, and I may have gotten some of it right.

 

Theosophical Society Seal

Theosophical Society Seal

 

Can you tell us what you’re currently working on? Is a new novel in the works? 

Until The Mourning After was actually published, I had no idea how profoundly it would affect the lives of so many. For example, I had no idea how many mothers out there have had their children tell them things like, “Remember when we lived on the farm, and you were my sister?” It doesn’t make the news, or even common small talk among friends, but there is apparently a lot of that out there.

When Dora Kunz first became president of the American Theosophical Society, she asked me to join her at headquarters, which I did for over a year. She and another beloved friend and mentor, John Coats, used to say Theosophy was mainly being presented to eggheads, that someone needed to breathe some life and youthful energy into it.

Now I’ve seen the wonderful reaction of everyday folks living ordinary lives, but loving my mystical little story. There seems to be a real need for presenting ancient truths to normal people in entertaining, easily assimilated ways. Single moms raising kids. Families and individuals dealing with AIDS, cancer, poverty, alcoholism… If these ancient truths are real for any of us, they must touch the lives of all of us.

So I want to continue offering messages of hope and theosophical principles through magical and entertaining stories. To these ends I am currently writing a book called “The Gardens of Ailana,” through which readers may learn how to heal and be healed. It will be based on my time studying Therapeutic Touch with Dora in private lessons after hours in the occult library at Olcott, with Dee Krieger, and the folks at Pumpkin Hollow Farm, and the New York T. S.

I am gathering ideas for another book so far titled, “Facebook Mystic.” It will be about people feeling isolated in their own lives, but who touch and bond through the internet. They find themselves guided more and more through undeniable synchronicity and developing awareness that could only come from some Higher, knowing, intentional force.

My life has been a strange one. Living with ghosts, healers, psychics, and mystics. Traveling out-of-body to the hospital rooms of those in need. Camping in deserts and living on cruise ships. Massaging celebrities and suffering poverty. Working myself up from suicidal depression to a life of joy and fulfilment. I have roughed this story out in a book called, “Entertaining Naked People,” but have stuck this on the back burner for now as I develop the others.

I’ve also written a political thriller, “The Soul of Hatred,” which will also have to sit on a shelf for a while. In this one, we show a dystopian future under a totalitarian government. The mega-rich have taken over everything, even re-writing The Bible to suit their agenda. America is lost to Dickensian poverty and ignorance as their mouthpiece “news” network encourages violence and racism, hoping to bring on Armageddon.

When they do, though, and God fires his first warning shots across the bow of humanity, the fascists find out they are on the wrong side.

 For more information on Edward Fahey’s work, please visit his sites.

 Website: http://bobedwardfahey.com/the-mourning-after/ 

Amazon Book Link: http://www.amazon.com/Mourning-After-Edward-Fahey/dp/1484157427/ref=sr_1_1?s=books&ie=UTF8&qid=1386184086&sr=1-1&keywords=the+mourning+after+edward+fahey

Facebook: https://www.facebook.com/robert.fahey.16?ref=tn_tnmn

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WHO WANTS TO BE NORMAL ANYWAY?

“The trembling in academic journals over how science must be falling apart because of positive evidence for psi is a desperate attempt to maintain a stable worldview where psi can’t exist.” Dean Radin, PhD

Welcome back old and new friends. It’s been a while and I wanted to share something I’m really enjoying. I’m reading Supernormal by Dean Radin. From the mystical side I’ve known that many (if not all) spiritual traditions hold that spiritual progress, especially through meditation practice, directly leads to the emergence of what we commonly call psychic ability (PSI). And these traditions also warn the seeker not to be distracted or side-lined when it happens because the spiritual path’s goal is Truth or union with the Universe (God, divine, Absolute, Reality, etc.). Leave it to scientist Dean Radin to put this to the test.

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About two thousand years ago, Pantanjali (The Yoga Sutras) wrote in rather cookbook terms that if you sit down and quiet the mind and dedicate yourself to this practice, you will eventually gain supernormal powers (siddhis). Elementary siddhis as outlined by the text include telepathy, clairvoyance, precognition, and psychokinesis. And to open your mind further, Pantanjali goes on to discuss the more advanced siddhis of invisibility, levitation, invulnerability, and superstrength (homage to comic book superheroes here). Are you still with me or are you rolling your eyes and scoffing? I sense a few of you are… smiling.

If you’ve read some of my previous work, you already know that science long ago established the existence of precognition with the Rhine experiments and the meta- analysis which followed (Honorton/Ferrari). There is statistically significant evidence for precognition although its effect is small in the general population. The point is that it’s there.

In the 1990s Radin went on to look at presentiment (prefeeling instead of preknowing). Radin used a random number generator and a stock of color photos which contained calming or emotional images that were flashed on a computer screen. He collected the subject’s reaction via skin conductance levels using electrodes attached to the palm. (Radin gives an exhaustive description in the book in case anyone wants to examine all the experimental protocols.) The results indicate that people react physiologically BEFORE they see the image on the screen. The experiment is strong evidence for presentiment even though the subject does not have conscious awareness of the image.

Back to Pantanjali. In a fairly complicated experiment, Radin looked at a group of meditators and non-meditators (sixteen individuals total). Meditators with a lot of experience in non-dual techniques often can achieve a deep state of absorption (Samadhi/Samyama) where time and space evaporate. The yogic perception is that an underlying deeper reality exists beyond time and space. In this reality, past and future influence the present. We are used to thinking about the past influencing the future, but it may also be that the future is at work as well. In this way of looking at things, presentiment/precognition can be viewed as the future influencing present awareness.

In the experiment, 32 channels of EEG were measured before, during, and after exposure to unpredictable light and sound stimuli. If meditation practice developed a way to extend consciousness through time, then we would expect the meditators to exhibit prestimulus differences in EEG responses over the control group (non-meditators). The research revealed that meditators did show brain activity that anticipated an audio signal. Non-meditators did not show any significant prestimulus differences between light v. sound.* The outcome supported the idea that the meditators were accessing the future in a way consistent with Pantanjali’s description.

A reversal of the cause-effect sequence is compatible with classical and quantum physics. Physicists already accept time reversal for the quantum world, but the evidence for precognition suggests it also takes place in the macro-world.

The evidence for precognition/presentiment may excite you or it may make you very nervous but either way, it should make you pause to consider how our worldview must change. Science has to take us to new places and challenge us to think and see in new ways. Scientific laws are not carved in stone and to reject all PSI research because it doesn’t fit a materialistic worldview only slows down the inevitable. We are starting to see the ground shift. Seventy-five years of scientific evidence from all over the world indicates that humans do possess one of the siddhis Pantanjali listed. We can glimpse the future.

More Summer Reading:
Emotional Freedom (Energy Psychology)- Judith Orloff, MD
The Biology of Belief- Bruce Lipton, PhD
The Way of the Explorer- Edgar Mitchell (astronaut)
The Genie in Your Genes- Dawson Church (epigenetics)

*Reasons why the non-mediators didn’t exhibit presentiment (in this small study) may be due to the stimulus not being emotionally charged and/or the choice of measuring physiological changes might not be the best one.

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Free Online Conference, STARTS MONDAY, You Must Register First

QUANTUM HEALING, CONSCIOUSNESS, AND SOUL EVENT

I’ll be hanging out at this conference and so can you! I’ve heard some of these speakers before and they are worth the time investment. If you’re unavailable for the live event, they offer a replay you can watch anytime. Pick and choose what interests you most. Register today by providing an email address and get set to learn something new for 2013!

http://www.quantumhealingandsoul.com/

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Last Day to Enter

Today is the last day to enter the drawing for a free copy of Into the Land of Snows.  Go to http://www.bethfehlbaumya.com/apps/blog/show/14981692-ya-writer-wednesdays-welcomes-ellis-nelson-author-of-into-the-land-of-snows

 

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